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Eloquent Rage: A Black Feminist Discovers Her Superpower

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Brittney Cooper

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“In Pakistan I occasionally came across families who kept a bird in their courtyard. Somebody, no doubt a father or a brother, would have taken some scissors to its prrimary feathers and clipped them so short so that flight was no longer possible. When I say "I did not clip her wings" in relation to Malala, what I mean is that when she was small, I broke the scissors used by society to clip girl's wings”

FeminismFeministWomen S Rights
Book:Let Her Fly: A Father's Journey
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“Because transsexuals have lost their physical “members” does not mean that they have lost their ability to penetrate women—women’s mind, women’s space, women’s sexuality. Transsexuals merely cut off the most obvious means of invading women so that they seem noninvasive.”

FeminismWomens RightsRadical FeminismGender IdentityWomens Liberation
Book:The Transsexual Empire: The Making of the She-Male
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“I wrote mostly about men. I hadn't interviewed a lot of women. Whenever I did, the stories were always about the struggle to be the kind of woman who got interviewed—the writers who were counted out, the politicians who were mistaken for secretaries, the actresses who were told they were too fat and tall and short and skinny and ugly and pretty. It was all the same story, which is not to say it wasn't important. But it was boring. The first time I interviewed a man, I understood we were talking about something more like the soul. The men hadn't had any external troubles. They didn't have a fear that they didn't belong. They hadn't had any obstacles. They were born knowing they belonged, and they were reassured at every turn just in case they'd forgotten. But they were still creative and still people, and so they reached for problems out of an artistic sense of yearning. Their problems weren't real. They had no identity struggle, no illness, no money fears. Instead, they had found the true stuff of their souls—of all our souls—the wound lying beneath all the survivalism and circumstance.”

FeminismGender
Book:Fleishman Is in Trouble
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“In those monologues [from men], I found my own gripes. They felt counted out, the way I felt counted out. They felt ignored, the way I felt ignored. They felt like they'd failed. They had regret. They were insecure. They worried about their legacies. They said all the things I wasn't allowed to say aloud without fear of appearing grandiose or self-centred or conceited or narcissistic. I imposed my narrative onto theirs, like in one of those biology textbooks where you can place the musculature picture over the bone picture of the human body. I wrote about my problems through men. That was when I knew for sure, that this was the only way to get someone to listen to a woman—to tell her story through a man; Trojan horse yourself into a man, and people would give a shit about you. So I wrote heartfelt stories about their lives, extrapolating from what they gave me and running with what I already knew from being human[...] I realised all humans are essentially the same, but only some of us, the men, were truly allowed to be that without apology. The mens' humanity was sexy and complicated; ours (mine) was to be kept in the dark at the bottom of the story and was only interesting in the service of the man's humanity.”

FeminismGenderPatriarchy
Book:Fleishman Is in Trouble
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“Finally, and I think most important, there are more male-to-constructed-female transsexuals because men are socialized to fetishize and objectify. The same socialization that enables men to objectify women in rape, pornography, and “drag” enables them to objectify their own bodies.”

FeminismWomens RightsRadical FeminismGender IdentityWomens Liberation
Book:The Transsexual Empire: The Making of the She-Male
Create image