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Quote by Laura van den Berg

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The Third Hotel

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Laura van den Berg

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“Indeed, fascist regimes tried to redraw so radically the boundaries between private and public that the private sphere almost disappeared. Robert Ley, head of the Nazi Labor Office, said that in the Nazi state the only private individual was someone asleep. For some observers, this effort to have the public sphere swallow up the private sphere entirely is indeed the very essence of fascism. It is certainly a fundamental point on which fascist regimes differed most profoundly from authoritarian conservatism, and even more profoundly from classical liberalism. There was no room in this vision of obligatory national unity for either free-thinking persons or for independent, autonomous subcommunities. Churches, Freemasonry, class-based unions or syndicates, political parties— all were suspect as subtracting something from the national will.121 Here were grounds for infinite conflict with conservatives as well as the Left. In pursuit of their mission to unify the community within an all-consuming public sphere, fascist regimes dissolved unions and socialist parties. This radical amputation of what had been normal worker representation, encased as it was in a project of national fulfillment and managed economy, alienated public opinion less than pure military or police repression, as in traditional dictatorships. And indeed the fascists had some success in reconciling some workers to a world without unions or socialist parties, those for whom proletarian solidarity against capitalist bosses was willingly replaced by national identity against other peoples. Brooding about cultural degeneracy was so important a fascist issue that some authors have put it at the center. Every fascist regime sought to control the national culture from the top, to purify it of foreign influences, and make it help carry the message of national unity and revival. Decoding the cultural messages of fascist ceremonies, films, performances, and visual arts has today become the most active field of research on fascism. The “reading” of fascist stagecraft, however ingenious, should not mislead us into thinking that fascist regimes succeeded in establishing monolithic cultural homogeneity. Cultural life in fascist regimes remained a complex patchwork of official activities, spontaneous activities that the regimes tolerated, and even some illicit ones. Ninety percent of the films produced under the Nazi regime were light entertainment without overt propaganda content (not that it was innocent, of course). A few protected Jewish artists hung on remarkably late in Nazi Germany, and the openly homosexual actor and director Gustav Gründgens remained active to the end.”

CultureFascismPrivate LifePublic Life
Book:The Anatomy of Fascism
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“For there we sit surrounded by objects which enforce the memories of our own experience... But when the door shuts on us, all that vanishes. The shell-like covering which our souls have excreted to house themselves, to make for themselves a shape distinct from others, is broken, and there is left of all these wrinkles and roughness a central pearl of perceptiveness, an enormous eye. How beautiful a street is in winter!”

SpaceIdentityPerceptionPublic LifeThe SelfCommutingFlaneurLiving SpacePerambulator
Author:Virginia Woolf
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“In neoliberal society, the capitalist market is no longer imagined as a distinct arena where goods are valued and exchanged; rather, the market is, or ideally should be, the basis for all of society.” Politics is no longer primarily a negotiation of where the line between public and private falls (as in classical liberalism), for neoliberalism “works to erase this line between public and private and to create an entire society – in fact, an entire world – based on private, market competition. … Consequently, contemporary politics take shape around questions of how best to promote competition.”

ChristianityEconomyPolitical PhilosophyPublic LifeNeoliberalism
Book:Naming Neoliberalism: Exposing the Spirit of Our Age
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“Neoliberal ideology, so accurate in discerning the factors that hinder or promote economic development, is mistaken in suggesting that the “downsizing” of the state—its withdrawal from “inappropriate” activities—is automatically and obviously associated with a promise of greater freedom for citizens. For it is not only through the exercise of inappropriate and incidental activities that the state oppresses people, but also — and above all — through those that are most essential and proper to it: taxation, policing, justice, and public education. And these, rather than retreating in the new neoliberal framework, tend instead to grow disproportionately. There are two reasons for this: first, it was precisely in order to expand them that the state withdrew from the economy; second, as it unloads its economic burden, the state seeks new roles for itself that justify its existence, and ends up meddling in all sectors of human life previously left to private discretion.”

OppressionIdeologyPrivate LifePolitical PhilosophyPublic LifeStateNeoliberalism
Book:O Jardim das Aflições
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“It's the nature of our specialty: nothing can be explained. One can only achieve understanding on one's own. You are a command, a part of the Speech of Creation. A load-bearing structure. I told you once you were a projection. Remember? Here it is: You are a projection of the Word that is destined to reverberate. And every day you get closer to the original. You are a foundation upon which an entire universe can be built. And this cannot be explained, Sasha, it can only be understood.”

Coming Of AgeImperativeFoundations Of This Universe
Author:Marina Dyachenko, Julia Meitov Hersey (translator) Sergey Dyachenko
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