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Quote by C.M. Waggoner

“A muffin is a cake for women who apologize too often and men who lack the courage of their convictions. A muffin is a cake that feels ashamed of its own nature.”

Quote by C.M. Waggoner

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C.M. Waggoner

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“Addiction is like swimming in an ocean for a very long time...drowning really, ready to give in. You're so tired, but you keep swimming, and then you start REALLY drowning. It's like trying to gasp for a breath, one tiny inhalation to keep going, and you get the one breath, but you are near death, suffocation, and each time you still manage to get one small breath in to keep going. Until, finally either you break free, you swim away from that magnificent grip, that monster lurking that keeps pushing your head under, or you have drowned. You died. It's that simple.”

“Some of his authors were so mulishly stubborn about altering their own work, one would think he had suggested changing text in the Bible. Amanda was easy to work with, and she did not harbor great pretensions about herself or her writing. In fact, she was relatively modest about her talents, to the extent of appearing surprised and uncomfortable when he praised her. The plot of 'Unfinished Lady' centered on a young woman who tried to live strictly according to society's rules, yet couldn't make herself accept the rigid confinement of what was considered proper. She made fatal errors in her private life- gambling, taking a lover outside of marriage, having a child out of wedlock- all due to her desire to obtain the elusive happiness she secretly longed for. Eventually she came to a sordid end, dying of venereal disease, although it was clear that society's harsh judgements had caused her demise fully as much as disease. What fascinated Jack was that Amanda, as the author, had refused to take a position on the heroine's behavior, neither applauding nor condemning it. Clearly she had sympathy for the character, and Jack suspected that the heroine's inner rebelliousness reflected some of Amanda's own feelings.”

“A silver hairbrush, old and surely precious, with a little leopard's head for London stamped near the bristles. A white dress, small and pretty, the sort of old-fashioned dress Cassandra had never seen, let alone owned- the girls at school would laugh if she wore such a thing. A bundle of papers tied together with a pale blue ribbon. Cassandra let the bow slip loose between her fingertips and brushed the ends aside to see what lay beneath. A picture, a black-and-white sketch. The most beautiful woman Cassandra had ever seen, standing beneath a garden arch. No, not an arch, a leafy doorway, the entrance to a tunnel of trees. A maze, she thought suddenly. The strange word came into her mind fully formed. Scores of little black lines combined like magic to form the picture, and Cassandra wondered what it would feel like to create such a thing. The image was oddly familiar and at first she couldn't think how that could be. Then she realized- the woman looked like someone from a children's book. Like an illustration from an olden-days fairy tale, the maiden who turns into a princess when the handsome prince sees beyond her ratty clothing.”

“Beneath the notebook she found the book of fairy tales. The cover was green cardboard, the writing gold: 'Magical Tales for Girls and Boys', by Eliza Makepeace. Cassandra repeated the author's name, enjoying the mysterious rustle against her lips. She opened it up and inside the front cover was a picture of a fairy sitting in a bird's woven nest: long flowing hair, a wreath of stars around her head, and large, translucent wings. When she looked more closely, Cassandra realized that the fairy's face was the same as that in the sketch. A line of spidery writing curled around the base of the nest, proclaiming her "Your storyteller, Miss Makepeace.”

“Now, now that she was older and perhaps wiser, love meant a partnership, in which each partner would be honest to the other, in which each would wish and strive for the other's welfare, to that this their joint welfare might be insured. Then, in those early girlish days, it had meant a total abnegation of self. The one was of earth, and therefore possible. The other had been a ray from heaven, - and impossible, except in a dream.”