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Domna, Part One: The Sun God's Daughter

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Tammie Painter

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“Art, mythology, religion, philosophy, history, anthropology, science, and medicine along with literature, autobiographies, biographies, essays, memoirs, poetry, and other works of fiction and nonfiction serve as a vast library for us to scour in search of the hidden keys to attaining knowledge and happiness. We glimpse individual revelation along with selective rays of radiance from every person’s conscientious act of documenting their long-term commitment to achieving a gleaming living testament to enlightenment.”

ArtPhilosophyPoetryLiteratureMythologyBiographiesEssaysAnthropologyMemoirsAutobiographies
Book:Dead Toad Scrolls
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“How can I put the Auras back in the chest?” I asked, terror boiling inside my stomach. “You can’t. Not if those that were or will be struck by them won’t be eager to express their feelings and let you help them. You do not change people, dearie. It’s the people that change themselves. You’re the Guardian, but they’re the bearers,” the Oracle whispered. “I’m no Guardian. I’m doomed!” I said and I knew that this was true.”

Inspirational QuotesMythologyComing Of AgeFeelings And EmotionsDamnationEmotions QuotesFantasy SeriesYa NovelGreek MythsPandora S Box
Book:Guardian of the Auras
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“Elsewhere Lankford reiterates that this belief system was by no means confined to the Plains, the Eastern Woodlands, and the Mississippi Valley. It is better understood, he argues, as part of 'a widespread religious pattern' found right across North America and 'more powerful than the tendency towards cultural diversity.' Indeed, what the evidence suggests is the former existence of 'an ancient North American international religion ... a common ethnoastronomy ... and a common mythology. Such a multicultural reality hints provocatively at more common knowledge which lay behind the façade of cultural diversity united by international trade networks. One likely possibility of a conceptual realm in which that common knowledge became focused is mortuary belief [and] ... the symbolism surrounding death.”

MythologyLegacySymbolismOriginBelief SystemPatternEthnoastronomy
Book:America Before: The Key to Earth's Lost Civilization
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“Many modern movies premise the action upon themes identified in ancient myths. Americans are still attracted to the thematic urgency of ancient lore. Despite the advances made by scientist and America’s technological revolution, the universal questions that haunt human beings’ quietude remain unchanged. The subjects that interest us as a people provide useful instructions pertaining how to live. Do we choose the myths that we live by? Do we sort through a bin of past events and select telling stories that we wish to use to define our existence? Do we modify or eliminate handpicked memories that do not fit the fable that we nominate to define our walk through life?”

MythologyMemoirAutobiographyMemoir WritingMythsWriting MemoirPersonal EssaysEssayistStory Of LifeAutobiographical
Book:Dead Toad Scrolls
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“The image of the Serpent, because of its association with life, rejuvenation, fertility, and regeneration, was a symbol of immortality. The coiled Serpent with its tail in its mouth was a circle of infinitude indicating omnipotence and omniscience. The Serpent, depicted in several successive rings, represented cyclical evolution and reincarnation. In ancient philosophy or mythological systems, creation and wisdom were closely bound together, and the Serpent was a potent symbol of both. It is in this capacity that the Serpent appears in the Babylonian and Sumerian mythologies, which contain elements akin to the Genesis story. The Serpent has the power to bestow immortality but also has the power to cheat humankind. In many of the ancient Near Eastern stories—for instance, the Gilgamesh Epic and myth of Adapa—the Serpent holds out the promise of immortality but then cheats man at the last minute.”

MythologyGenesisSymbolismSerpentCreation MythsAncient PhilosophyGilgameshFeminist TheologySumerianBabylonian
Book:The Serpent and the Goddess: Women, Religion, and Power in Celtic Ireland
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“For many years Minos has been lucky to have in his court the most gifted inventor, the most skilled artificer outside of the Olympian forges of Hephaestus. His name is Daedalus and he is capable of fashioning moving objects out of metal, bronze, wood, ivory and gemstones. He has mastered the art of tightly coiling leaves of steel into powerful springs, which control wheels and chains to form intricate and marvellous mechanisms that mark the passage of the hours with great precision and accuracy, or control the levels of watercourses. There is nothing this cunning man cannot contrive in his workshop. There are moving statues there, men and women animated by his skill, boxes that play music and devices that can awaken him in the morning. Even if only half the stories of what Daedalus can achieve are true then you can be certain that no more cunning and clever an inventor, architect and craftsman has ever walked this earth.”

TechnologyMythologyInventionGreek MythologyCunningCraftsmanship
Book:Heroes: Mortals and Monsters, Quests and Adventures
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