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Brooding YA Hero: Becoming a Main Character (Almost) as Awesome as Me

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Carrie Ann DiRisio

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“So Beaujolais is like this hybrid---a red that drinks like a white, we even put a chill on it. Maybe that's why it has trouble, it doesn't quite fit. No one takes Gamay seriously---too light, too simple, lacks structure. But..." I swirled the glass and it was so... optimistic. "I like to think it's pure. Fleurie sound like flowers doesn't it?" "Girls love flowers," she said judiciously. "They do." I put her wine down, then moved it two inches closer to her, where I knew the field of her focus began. "None of that means anything. It just speaks to me. I feel invited to enjoy it. I get roses." "Child, what is wrong with you? There's no roses in the damn wine. Wine is wine and it makes you loose and helps you dance. That's it. The way you kids talk, like everything is life or death." "It's not?" "You ain't even learned about living yet!" I thought about buying wine. About how I would scan the different Beaujolais crus at the liquor store---the Morgan, the Côte de Brouilly, the Fleurie would be telling me a story. I would see different flowers when I looked at the labels. I thought about the wild strawberries dropped off from Mountain Sweet Berry Farm just that afternoon and how the cooks laid out paper towels and sheet trays in the kitchen, none of them touching, as if they would disintegrate, their fragrance euphoric.”

WineRelatableSymbolicStrawberriesMain CharacterReferencingFloral
Book:Sweetbitter
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“It’s easy to think that if we had a different house, different car, different job, different relationship, different city, everything would be different; that we would feel different then. The problem is, you are the main character in the story that is your life. No matter how much you alter the setting of that story, you can’t escape from yourself. There are many factors which contribute to your experience on this planet, but ultimately, you are the one creating your experience here. In order to get to the life you are here to live, you must begin by becoming the person you are here to become.”

LifeInspirationalMotivationalSelf HelpPersonal GrowthStoryMain Character
Book:How to Find Yourself, Love Yourself, & Be Yourself: The Secret Instruction Manual for Being Human
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“Hadley Beckett from Nashville, Tennessee, who had a Bachelor of Business Administration degree but had dropped out of culinary school. Lover of fried okra and hot chicken and sweet tea. Henceforth those things wouldn't be used against me as insults. Henceforth other chefs- of the too-big-for their-britches variety- wouldn't look down their noses at me for calling it powdered sugar rather than confectioners sugar.”

ChefMain CharacterSouthern Belle
Book:Hadley Beckett's Next Dish
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“How best to portray the story of Lydia---a woman who has mixed Japanese, Malaysian, and English heritage, and who is a vampire, a creature inherently half-demon, half-human---who is constantly trying to resist the temptation of her nature? I designed many versions of this cover; some depicted Lydia, while others focused on specific details from the story, like bite marks, or a pig whose blood she drinks in order to stave off her cravings for human blood. In the end, though, the most powerful visual was not one of Lydia herself, but of the novel's antagonist. Because Lydia is an artist, it felt fitting to use a painting on the cover, but it needed to be a piece that spoke to the story on multiple levels. Caravaggio's Boy with a Basket of Fruit felt just right; the sidelong glance peering back at the viewer, the lush basket filled with food that Lydia can never eat, not to mention Caravaggio's own less-than-pristine reputation, not dissimilar to our antagonist's. The final touch: a perfectly-placed crack in the canvas---or is it a bite mark?”

DesignerSymbolicBiracialAntagonistMain CharacterBook CoverCaravaggio
Book:Woman, Eating
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