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Quote by Vivek Shraya

“Unlike many artists, she had never considered herself a mere vessel for the muse, or a medium, or even a parent. Her songs weren't her "babies". Her songs were her.”

Quote by Vivek Shraya

Book:The Subtweet
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The Subtweet

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Author

Vivek Shraya

Vivek Shraya is a Canadian singer known for her unique musical style and diverse artistic expression. Born in 1981, she has a passion for music from a young age and has showcased her talents across various fields. more

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“When I put together my early bands, usually some other singer who was short of one would take it away. It seemed like this happened every time one of my bands was fully formed. I couldn’t understand how this was possible seeing that these guys weren’t any better at singing or playing than I was. What they did have was an open door to gigs where there was real money. Anybody who had a band could play at park pavilions, talent shows, county fairgrounds, auctions and store openings, but those gigs didn’t pay except maybe for expenses and sometimes not even for that. These other crooners could perform at small conventions, private wedding parties, golden anniversaries in hotel ballrooms, things like that — and there was cash involved. It was always the promise of money that lured my band away. Truth was, that the guys who took my bands away had connections to someone up the ladder. It went to the very root of things, gave unfair advantage to some and left others squeezed out. How could somebody ever reach the world this way? It seemed like it was the law of life. It got so that I almost always expected to lose my band and it didn’t even shock me anymore if it happened. It was beginning to dawn on me that I would have to learn how to play and sing by myself and not depend on a band until the time I could afford to pay and keep one.”

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Book:Chronicles, Volume One
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“Compare with Greek art, modern classical art is lacking in warmth and immediacy; it has a derived, retrospective, and, even in the Renaissance, a more or less classicistic character. It It is the reflection of a society which, filled with reminiscences of Roman heroism and medieval chivalry, tries to appear to be something which it is not, by following an artificially produced social and moral code, and which stylizes the whole pattern of its life in accordance with this fictitious scheme. Classical art describes this society as it wants to see itself and as it wants to be seen. There is hardly a feature in this art which would not, on closer examination, prove to be anything more than the translation into artistic terms of the aristocratic, conservative ideals cherished by this society striving for permanence and continuity. The whole artistic fromalism of the Cinquecento merely corresponds to the formalized system of moral conceptions and decorum which the upper class of the period imposes on itself. Just as the aristocracy and the aristocratically minded circles of society subject life to the rule of a formal code, in order to preserve it from the anarchy of the emotions, so they also submit the expression of the emotions in art to the censorship of definite, abstract, and impersonal forms.”

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“In truth, the best works of art are by no means the most perfect ones, but rather those whose imperfection bears the most profound witness to their fundamental contradictions. That is why those works, whose success takes its measure from the failure of the world, assume something helpless, frail and disorganized under the gaze of contemporary cultural administration.”

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“The concept of furry characters (another term for anthropomorphic animals) is relatively new; it was popularized in the 1980s. But art and stories juxtaposing humans and animals can be traced back thousands of years. The ancient Egyptians, for example, had animalistic deities such as Anubis, who had the head of a jackal. Anthropomorphic kimono-clad foxes, raccoons, dogs, cats, and other animals were a recurring subject in classical Japanese uikyo-e artwork. Further historical examples of anthropomorphic animals can be found in Native American mythology and works of literature like Aesop's fables, wherein talking animals took the roles of humans.”

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