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Politic Quotes

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Politic Quotes

“Compare with Greek art, modern classical art is lacking in warmth and immediacy; it has a derived, retrospective, and, even in the Renaissance, a more or less classicistic character. It It is the reflection of a society which, filled with reminiscences of Roman heroism and medieval chivalry, tries to appear to be something which it is not, by following an artificially produced social and moral code, and which stylizes the whole pattern of its life in accordance with this fictitious scheme. Classical art describes this society as it wants to see itself and as it wants to be seen. There is hardly a feature in this art which would not, on closer examination, prove to be anything more than the translation into artistic terms of the aristocratic, conservative ideals cherished by this society striving for permanence and continuity. The whole artistic fromalism of the Cinquecento merely corresponds to the formalized system of moral conceptions and decorum which the upper class of the period imposes on itself. Just as the aristocracy and the aristocratically minded circles of society subject life to the rule of a formal code, in order to preserve it from the anarchy of the emotions, so they also submit the expression of the emotions in art to the censorship of definite, abstract, and impersonal forms.”

“សំណាង? បានធ្វើធំឬ បានជាសំណាង ?បើសមរង្ស៊ី សំណាង នោះ ជារឿងអភ័ព្វរបស់ពលរដ្ឋហើយ សំរាប់ខ្ញុំ បើជ័យជំនះ ldp បាននាំសំនាងដល់ខ្ញុំ ដាច់ខាត ខ្ញុំនឹងមិនទទួលយកសំណាងនោះទេ ខ្ញុំនឹងព្រមទទួលយកថាជាជ័យជំនះរបស់ ldp បានលុះត្រាតែនោះគឺជាសំណាងរបស់ពលរដ្ឋខ្មែរ ៕”

“Man kann den Menschen nicht von seinen Anschauungen trennen. Ich bin davon überzeugt, dass das nicht geht. Wenn jemand beispielsweise glaubt, ass es Menschen gibt, die weniger wert sind als andere, beeinflusst das seine gesamte Persönlichkeit. Es sind schließlich unsere Haltungen, die uns ausmachen.”

“Although our countries have been changed by the hegemonizing influences of both Iran and Saudi Arabia, the headlines in the Western media have always reduced matters of extraordinary depth and complexity to a mere snapshot, which more often than not has catered to an orientalist audience that regards Arab or Muslim cultures as backward and to security-focused policymakers. Over time those two groups have worked to reinforce each other, merging to such an extent that everything was viewed through the prism of the security of the West, especially after 9/11.”