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Where the Quiet Blooms

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Laura Chouette

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“Sappho isn't really meant to be read. It's meant to be sung and there were dances for the songs, also. Sappho was a performance artist, and now she exists as a textual project. She was saved by her critics, and by people who wrote of her in letters to each other. As the morning sun lathers the pool through the long windows and stripes the opposite walls in gold, I look at the fragment translations. She's paper, too. A paper poet for a paper boy. People claim to be translating her but they don't, really, they use her to write poems from as they fill in the gaps in the fragments. A duet. She may have meant for these to be solos but they're duets now, though the second singer blends in with the first. The first singer in this case is offstage, like in the old days of stars who couldn't sing, a real singer hidden behind a curtain, which is the velvet drape of history.”

LiteratureMusicGreekAncient GreekSappho
Book:Edinburgh
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“If Greek culture has influenced Western civilization, we must not forget that, in spite of the inestimable benefits of Greece to India, the ancient Greeks themselves were also sons of Hindu thought. As has already been mentioned, Pythagoras went to India in order to draw from the very source the principles which constituted the foundation of his doctrine and which in its turn influenced Plato, Socrates and even Aristotle to a certain degree. Apollonius of Tyanae, Plotin, did they not follow in the footprints of their predecessors, in directing themselves towards far-off India? China, Persia, Islam – the three-fourths of Asia – these civilizations which had already been influenced by the missions of Asoka, were they not attracted by India’s wisdom? That is the reason why ancient India is our Mother. In the measure that we Westerners make our intellectual and spiritual genealogy reach back to India shall we learn to love her and to consider in its true light her wisdom, the patrimony of every man.”

Ancient GreekGreatness Of India
Author:Louis Revel
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“The hospital’s long-time cook, Iryna, mechanically peeled potatoes as usual — breakfast had to be prepared for the patients. Work was work, and she was now the only breadwinner in her family. Yet today her thoughts were entirely at home. There, her pregnant daughter Maria had been struck down by typhus and had lain alone in critical condition for a week. To make matters worse, no one was with her. Normally, Iryna would visit her sick daughter during the day. But today the hospital was in emergency mode — another convoy of wounded from the civil war had arrived. A mother’s heart was tearing itself toward her child… though what could she really do? Wiping her hands on a towel, Iryna approached the small icon depicting the Virgin Mary with the infant Jesus. She knelt, folded her hands to her chest, fixed her gaze on the immaculate face of the Mother of God — and began to pray. — Volodymyr Shablia, Stone. Book One Context note: Set during the chaos of the Ukrainian Civil War and a typhus epidemic, this scene shows the quiet suffering of civilians. While the hospital is overwhelmed with wounded, a mother torn between duty and fear turns to faith — highlighting the human cost of war beyond the battlefield.”

WarFaithPrayerMotherhoodCivil WarHistorical FictionUkraineEpidemicsHospitalHuman Resilience
Book:Камінь. Біографічний роман. Книга перша. Перші кроки до світла та назад: Дитинство та занурення в ГУЛАГ.
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