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Quote by Igiaba Scego

“Tínhamos que encarar o rosto obsceno daquela realidade que nos tocou no destino. Aquele barquinho naufragado estava cheio de somalis, essa era realidade! Cheio de homens e mulheres, de seres humanos reduzidos a larvas. Aquela embarcação de papel estava cheia de gente com o nariz como o meu, com a boca como a minha, com os meus cotovelos. Todos nós da diáspora somali, no dia em que ficamos sabendo dessa notícia, não sabíamos o que fazer com os nossos corpos. Os que morreram nas costas da ilha de Lampedusa tinham provocado não somente uma comoção sem igual, mas um mal-estar. Por que eles morreram e nós estávamos vivos? Por que o destino nos dividiu em dois? A estação melhorou muitíssimo nos últimos anos. De uma parte, houve a restauração feita pela prefeitura, de outra, várias comunidades migrantes também se organizaram. Há lojinhas de todo tipo. Quer colocar aplique no cabelo? Quer um pouco de cardamomo para os chás condimentados do seu recanto? Quer um tecido com a história da rainha de Sabá para pendurar nas paredes de casa? Em Termini, encontram-se coisas fantásticas: de saris a raiz de rummay para escovar os dentes, e até goiabada que os brasileiros comem com queijo e chamam romanticamente de 'Romeu & Julieta'. E também quantidades infinitas de eenjera e zighinì. Moha, em sua época de ouro, pintou e bordou. Eu e minha mãe éramos espectadoras mudas das confusões que ele armava. Por um período, ele teve até três nomes. Louis para as mulheres que achavam que ele fosse sul-americano, Ali para as brancas que não sabiam pronunciar seu verdadeiro nome (e todas as vezes lhe diziam 'Que massa, como Ali Babá', e Amedeo para as mais duras na queda e experientes. Só disse seu nome verdadeiro à mulher que se tornou, por fim, a mulher da sua vida. 'Eu não queria estragar o nome. É o que me sobrou da Somália, além de vocês.”

Quote by Igiaba Scego

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“Μου αρέσει η Ιταλία; Ιδού το ερώτημα. Είχα πάντα την αίσθηση ότι ήταν τρομερή χώρα. Η απερίγραπτη ομορφιά της συνοδεύεται με τις πιο ζοφερές σκέψεις. Όπου και να πας θα βρείς ίχνη από αίμα και δάκρυα. Για να είμαι ειλικρινής, αυτό ισχύει παντού στον κόσμο, εδώ όμως είναι πολύ πιο εμφανές απ ότι στις άλλες χώρες. Καθώς περνούσαν οι αιώνες, έρχονταν κι έφευγαν πόλεμοι και τυραννίες, τρομερές θεομηνίες, αμέτρητα βάσανα στα παλάτια και στα καλύβια. Διακρίνεις κάτι το ανήλεο στον γαλανό ουρανό που θεώρησε απαθής όλα αυτά. Σε ότι αφορά τον κόσμο, μπορείτε να διακρίνετε αιώνες οδύνης ζωγραφισμένους επάνω σε αυτά τα πρόσωπα και να τους ακούσετε στη φωνή των ανθρώπων. Ναι, ναι, μου αρέσει η Ιταλία. Αλλά με την ευγενέστερη σημασία της λέξης.”

“Norcia is an ancient town with Roman ruins and Renaissance structures that exists like a flat island in a sea of more mountainous towns. It has survived countless strong earthquakes, including two particularly devastating ones a few years back. You can still see some buildings across town in disrepair and chunks of structures missing. But in the intervening years, as the town has rebuilt, it has also taken on a magical air of rebirth. Old buildings mixed in with new patches. The enthusiasm of seeing tourists streaming through again is palpable. You can still see the remnants, but it's clear that even natural devastation can't remove its charm. Parts of the restaurant's back wall have crumbled, but it now has an air of bohemian clutter where plants have taken root in the fractures.”

“Walking around Spoleto is like stepping into an old Italian advertisement bursting with color. Little cafés dot the streets and are already filing up. The shops and houses are all painted with faded versions of sunset hues--- hazy blue, orangey salmon, marigold, and dusty pinks. They all have large rounded black-and-blue shutters and equally archlike stone entrances where large wooden doors are nestled. Streetlamps jut out from the sides of buildings with misty, globe-shaped balls attached to twirling wrought iron.”

“It is a field as big as a football stadium carpeted every inch with bright-red poppies. The red is like the kind of color that you see only in oversaturated photos, the kind that doesn't seem to truly exist in real life. Thousands and thousands of poppies stretch out in front of us, one right after the other, as though if you squinted, it would look like a giant red blanket had been laid on top of thousands of gangly green weeds. Dense olive trees line the edges of the field, and behind them, sloping green hills take over the skyline against a cloudless blue sky. I bend down and pick up a poppy, its inky-black center surrounded by delicate red petals clustered and fanning out. It is all so dreamy.”