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Quote by Laurie E. Smith, The Flow Habit

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Laurie E. Smith, The Flow Habit

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“At Gabriel College there was a very holy object on the high altar of the Oratory, covered with a black velvet cloth... At the height of the invocation the Intercessor lifted the cloth to reveal in the dimness a glass dome inside which there was something too distant to see, until he pulled a string attached to a shutter above, letting a ray of sunlight through to strike the dome exactly. Then it became clear: a little thing like a weathervane, with four sails black on one side and white on the other, began to whirl around as the light struck it. It illustrated a moral lesson, the Intercessor explained, for the black of ignorance fled from the light, whereas the wisdom of white rushed to embrace it. {Alluding to William Crookes's radiometer.}”

“Why are you so sad Fluffytail?” asked Mr. Alligator. Fluffytail was very surprised since no one else had ever asked him this question. “I’m new in town and searching for friends, but no one wants to be my friend. This makes me afraid to start a new school,” Fluffytail said. “I think it’s my fluffy tail.” “Don’t worry little one. I am also different from all the other alligators in this pond. I was born with only half of a tail and I have many good friends.”

“How strange it was that the music people favored defined them in so many ways—what they liked, what they rejected, what stuck with them from their school years, what they kept, what they burned into memory, what they let go. How was it that what they heard in a single decade—for most, their second on the planet—encoded a set of remembrances that stayed with them forever? It was simply commercial output, a business after all, nothing more than that—song factories a few years removed from Tin Pan Alley. It wasn’t Beethoven or Mozart, but it was glue—happy and sad, lived and imagined, the soundtrack of youth became the soundtrack of peoples’ lives.”