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The Alpine Path: The Story of My Career

This book offers a candid look into the author's career, exploring the challenges, triumphs, and insights gained throughout their professional life. more

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L.M. Montgomery

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“We must follow our "airy voices," follow them through bitter suffering and discouragement and darkness, through doubt and disbelief, through valleys of humiliation and over delectable hills where sweet things would lure us from our quest, ever and always must we follow, if we would reach the "far-off divine event" and look out thence to the aerial spires of our City of Fulfilment.”

InspirationalArtDeterminationPerseverance
Book:The Alpine Path: The Story of My Career
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“Chris’ second letter was less noble. She started off by rhapsodizing once again about Dick’s face: “I started looking at your face that night in the restaurant—oh wow, isn’t that like the first line in the Ramones song, ‘Needles & Pins’? ‘I saw your face/It was the face I loved/And I knew’—and I got the same feeling from it that I get every-time I hear that song, and when you called my heart was pounding and then I thought that maybe we could do something together, something that is to adolescent romance what the Ramone’s cover of the song is to the original. The Ramones give ‘Needles & Pins’ the possibility of irony, but the irony doesn’t undercut the song’s emotion, it makes it stronger and more true. Søren Kierkegaard called this “the Third Remove.” In his book ‘The Crisis In The Life Of An Actress’, he claims no actress can play 14-year-old Juliette until she’s at least 32. Because acting’s art, and art involves reaching through some distance. Playing the vibrations between here and there and then and now. And don’t you think reality is best attained through dialectics? PS, Your face is mobile, craggy, beautiful…”

ArtDistanceDialectics
Book:I Love Dick
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“With the advent of the first truly revolutionary means of reproduction, photography, simultaneously with the rise of socialism, art sensed the approaching crisis which has become evident a century later. At the time, art reacted with the doctrine of l'art pour l'art, that is, with a theology of art. This gave rise to what might be called a negative theology in the form of the idea of "pure" art, which not only denied any social function of art but also any categorizing by subject matter.”

ArtPhilosophyPhotographyWalter Benjamin
Book:Illuminations: Essays and Reflections
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