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Quote by Avalon Ash

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Time With Trees: 1995–2025, A Collected Work

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Avalon Ash

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“Bronagh when she entered the room. She placed her hands on her hips and sighed, deeply. “I’m so fat.” She frowned. “It 58/668 took me a whole sixty seconds to get meself off the toilet.” I snickered while Dominic tilted his head to the side. “Fat?” he questioned. “And here I thought you were pregnant. Man, you had me fooled.” Bronagh gave him the finger. “Bite me, Fuckface. You did this to me.”

“The conversation, as usual, switched back to sex. “It’s difficult with you sometimes though, babe,” Dominic said to Bronagh. “I’m constantly torn between wanting to fucking destroy you, but I also want to bring you flowers and chocolates and treat you like a princess.” Bro, TMI! Bronagh didn’t bat an eyelid. “Why not do both?” Sis, TMI! “That right there,” Dominic snapped his fingers, “that’s why I love you”

“This got him to the door. There, ridiculously, he turned. It was only at the door, he decided in retrospect, that her conduct was quite in excusable: not only did she stand unncessarily close, but, by shifting the weight of her body to one leg and leaning her head sidewise, she lowered her height several inches, placing him in a dominating position exactly suited to the broad, passive shadows she must have known were on her face." (“Snowing in Greenwich Village")”

“Away from home, my partner and I are on holiday on a resort on an island. Mealtimes bring everyone together. We enter the dining room, where we face many tables places alongside each other… I face what seems like a shocking image. In front of me, on the tables, couples are seated. Table after table, couple after couple, taking the same form: one many sitting by one woman around a ‘round table,’ facing each other 'over’ the table… I am shocked by the sheer force of the regularity of that which is familiar: how each table presents the same form of sociality as the form of the heterosexual couple. How is it possible, with all that is possible, that the same form is repeated again and again? How does the openness of the future get closed down into so little in the present?”