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Quote by Miriam Lichtheim

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Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms

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Miriam Lichtheim

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“The sauce is made from the turtle soup stock she made, thickened into a glaze! Poured over the patty, it gives the meat a richer, more full-bodied flavor! "I mixed the turtle's blood in with the patty. It warms the body from the inside out. But that isn't all. I also added dried, powdered tortoise-shell to the patty. Tortoise-shell has long been a prime ingredient in vitality tonics in Chinese medicine." "Both the sauce and the patty are chock-full of turtle everything!" "No wonder the judges look that thoroughly satisfied." "I totally get it! She must've made one incredible burger!" "No. You cannot fully understand. Only those who have tasted this dish can understand its true essence." "What?" "The key to that power lies in the turtle's meat... with the plentiful amounts of gelatin found in it and the sticky sensation that creates!" "Huh?" "Stickiness?" "That is correct, sir. Thick, piping-hot sauce... how thick it is greatly affects the flavor of the dish. The higher the viscosity, the more full-bodied the flavor becomes. Both the burger patty and the sauce I made from turtle stock are filled with gelatin-rich turtle essence. At the back of the roof of the mouth is a collection of soft tissue... called the soft palate. It is one of the most sensitive areas in the entire human body! With every mouthful, the thick, chewy patty and sticky sauce... get pinned between the twin walls of the tongue and the soft palate... stimulating that most sensitive of areas with each seductive bite! In other words, this dish excites not only a person's sense of taste via flavor... ... it also seduces their sense of touch via texture!”

MouthTurtleChinese MedicineGelatinBurgerHisako AratoMedicinalSense Of Touch
Book:食戟のソーマ 9 [Shokugeki no Souma 9]
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“Museum architectural search committees have invariably included the Kimbell in their international scouting tours of exemplary art galleries (a practice pioneered by Velma Kimbell, the founder’s widow, in 1964). Those groups no doubt respond to the Kimbell with suitable reverence, but given the buildings they later commissioned, many post-Bilbao museum patrons obviously wanted something quite different. The disparity between Kahn’s museums and recent examples of that genre parallels the discrepancy he saw between postwar Modernism and ancient Classicism: “Our stuff looks tinny compared to it.” At a time when commercial values are systematically corrupting the museum - one of civilized society’s most elevating experiences - the example of Kahn, among the most courageous and successful architectural reformers of all time, seems more relevant and cautionary than ever.”

ArchitectureMuseumsLouis Kahn
Book:Makers of Modern Architecture: From Frank Lloyd Wright to Frank Gehry (New York Review Books
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“For over a century, an evolving microcosm of Anthropology’s turbulent history has hidden behind the staid façade of the American Museum of Natural History. From an insider’s perspective, the well-known ethnologist Stan Freed engagingly introduces us to an amazing cast of explorers, eccentrics, idealists, pranksters and forbidding intellectual - an unlikely mix that played a key role in establishing the science of Anthropology as we know it today.”

HistoryMuseumsAnthropologyExplorer
Author:Ian Tattersall
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“Survival is a funny business, too. A losing game. Literally. They love us, and we lose them all. The ones who made us, the ones who gave us, the ones who sat down and played with us, the ones who held us, or just laid eyes on us. The ones who bought, traded, and sold us. Cleaned us, redeemed us, brought back the sheen on us. Loved us. Learned everything there is to know about us.”

ArtMuseumsArt QuotesMuseumArt MuseumArt Museums
Book:Metropolitan Stories
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“When a young employee at the Anne Fank House tried to wear his yarmulke to work, his employers told him to hide it under a baseball cap. The museum's gal was "neutrality," one spokesperson explained to the British newspaper Daily Mail, and a live Jew in a yarmulke might "interfere" with the museum's "independent position." The museum finally relented after deliberated for four months, which seems like a rather long time for the Anne Frank House to ponder whether it was a good idea to force a Jew into hiding.”

MuseumsNeutralityJewsClothingAntisemitismAnne Frank
Book:People Love Dead Jews: Reports from a Haunted Present
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