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“Whoever treads a path seeking knowledge, Allah will make easy for him the path to Paradise." (reported by Ibn Majah and others, fulfilling the conditions of Imam al Bukhari and Imam Muslim)”

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“Not merely is the art of the second half of the fifth century influenced by the same experience which formed the ideas of the Sophists; a spiritual movement such as theirs, with its stimulating humanism, was bound to have a direct effect upon the outlook of the poets and artists. When we come to the fourth century there is no branch of art in which their influence cannot be traced. Nowhere is the new spirit more striking than in the new type of athlete which, with Praxiteles and Lysippus, now supplants the manly ideal of Polycletus. Their Hermes and Apoxyomenos have nothing of the heroic, of aristocratic austerity and disdain about them; they give the impression of being dancers rather than athletes. Their intellectuality is expressed not merely in their heads; their whole appearance emphasizes that ephemeral quality of all that is human which the Sophists had pointed out and stressed. Their whole being is dynamically charged and full of latent force and movement. When you try to look at them they will not allow you to rest in any one position, for the sculptor has discarded all thought of principal view-points; on the contrary, these works underline the incompleteness and momentariness of each ephemeral aspect to such a degree as to force the spectator to be altering his position constantly until he has been round the whole figure. He is thus made aware of the relativity of each single aspect, just as the Sophists became aware that every truth, every norm and every standard has a perspective element and alters as the view-point alters. Art now frees itself from the last fetters of the geometrical; the very last traces of frontality now disappear. The Apoxyomenos is completely absorbed in himself, leads his own life and takes no notice of the spectator. The individualism and relativism of the Sophists, the illusionism and subjectivity of contemporary art, alike express the spirit of economic liberalism and democracy—the spiritual condition of people who reject the old aristocratic attitude towards life, with all its gravity and magnificence, because they think they owe everything to themselves and nothing to their ancestors, and who give vent to all their emotions and passions with complete lack of restraint because so whole-heartedly convinced that man is the measure of all things.”

ArtPoetryPerspectiveSculptureRelativismSophistsHuman CenteredMulti Angle
Book:The Social History of Art, Volume 1: From Prehistoric Times to the Middle Ages
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“No one else can be blamed for the failure of the education system than the education system itself, and in particular the education establishment, the Mandarin Elite. These people have made education painful and monstrous, not joyous and transformative. They have killed joy. They have turned education into the most boring undertaking possible rather than the most exciting. They should be fired en masse. Not a single one of them should be left to go on poisoning minds. There should be a total clearing out of the Mandarin class, and their total replacement by people who actually care about educating the people, rather than spouting tedious nonsense”

EducationProfessorsTeachersUniversitiesSophistsMandarinsCareeristsCouriers
Book:The Mandarin Effect: The Crisis of Meaning
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“Why do scientists never debate philosophers? It’s because they know they would be destroyed in argument, when they have to actually clarify their ridiculous and embarrassing belief system. Mandarins, in their little priesthoods, hide behind jargon so that they know that no outsiders can laugh at their lack of clarity. They create an in-language so that only the insiders can know how absurd the belief system is, and they all have a vested interest in maintaining the fiction. That’s how the Mandarin system works. They don’t dare to be clear because then it would be clear that they are the emperor in his new clothes and know nothing at all.”

ClarityPriestsAmbiguityJargonScientistsIvory TowerObscurantismSophists
Book:The Mandarin Effect: The Crisis of Meaning
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“Extroverts are more likely to take a quick-and-dirty approach to problem-solving, trading accuracy for speed, making increasing numbers of mistakes as they go, and abandoning ship altogether when the problem seems too difficult or frustrating. Introverts think before they act, digest information thoroughly, stay on task longer, give up less easily, and work more accurately. Introverts and extroverts also direct their attention differently: if you leave them to their own devices, the introverts tend to sit around wondering about things, imagining things, recalling events from their past, and making plans for the future. The extroverts are more likely to focus on what's happening around them. It's as if extroverts are seeing "what is" while their introverted peers are asking "what if.”

ThinkingFocusTendenciesProblem SolvingAccuracyIntrovertsExtrovertsThought PatternsProcessing Information
Book:Quiet: The Power of Introverts in a World That Can't Stop Talking
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“...the Other World has different things in it. Words such as "Manchester" and "police station" have no meaning here. Because these things do not exist. Words such as "river" and "mountain" do have meaning but only because those things are depicted in the Statues. I suppose that these things must exist in the Older World. In this World the Statues depict things that exist in the Older World.' 'Yes,' said Raphael. 'Here you can only see a representation of a river or a mountain, but in our world--the other world--you can see the actual river and the actual mountain.' This annoyed me. 'I do not see why you say I can ONLY see a representation in this World,' I said with some sharpness. 'The word "only" suggests a relationship of inferiority. You make it sound as if the Statue was somehow inferior to the thing itself. I do not see that that is the case at all. I would argue that the Statue is superior to the thing itself, the Statue being perfect, eternal and not subject to decay.' 'Sorry,' said Raphael. 'I didn't mean to disparage your world.' There was a silence. 'What is the Other World like?' I asked.”

PerspectiveNature Of RealityPlato S CavePlatonic Forms
Book:Piranesi
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