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Quote by Tayari Jones

“Casa tua non è il posto dove atterri; è quello da cui decolli. Non è possibile scegliersi una casa, come non lo è scegliersi una famiglia. Nel poker ti toccano cinque carte. Tre le puoi scambiare, ma due te le devi tenere: la famiglia e la terra in cui sei nato.”

Quote by Tayari Jones

Work

An American Marriage

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Author

Tayari Jones
Tayari Jones

Tayari Jones is an American author born on November 30, 1970. Her works primarily focus on the lives of African American women, particularly those facing challenges related to race, class, and gender. Jones is celebrated for her deep character development and emotional expression in her writing. more

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“I have known many true connoisseurs, with excellent tastes that range across the humanities and the culinary arts--and they never fail to have a fatal effect on my self-esteem. When I find myself sitting at dinner next to someone who knows just as much about novels as I do but has somehow also found the mental space to adore and be knowledgeable about the opera, have strong opinions about the relative rankings of Renaissance painters, an encyclopedic knowledge of the English civil war, of French wines--I feel an anxiety that nudges beyond the envious into the existential. How did she find the time?”

“Jeg henvender mig til disken og spør efter kognak. Manden ved disken forstår mig og sætter ned en flaske. Den har et mig ubekjent mærke, og det står Odessa på den. Tvi! sier jeg; har han ikke andet? Det forstår han ikke. Jeg langer selv op i hylden og finder mig en anden kognakflaske. Den viser sig å være av samme Odessamærke, men har fem stjærner. Jeg ser på den og anskuer den og finder den simpel. Om han ikke har bedre? Det forstår han ikke. Jeg tæller stjærner for ham, at det er fem, og føier til et par selv med blyant. Det forstår han. Han kommer virkelig med en seksstjærnet Odessaflaske. Hvad koster den? Fire og en halv rubel. Og den foregående? Tre og en halv. Det er en rubel pr.stjærne. Men jeg tok allikevel den med fem stjærner, og det viste sig å være en lynende stærk kognak som jeg fik sove av. Og idag er jeg trods alle kloke koners og alle turisters visdom bedre av feberen skjønt jeg drak kognak inat.”

“As the IDPs poured into KP, other provinces were already shutting their borders to them. These proud tribals had sacrificed their homes for the peace and prosperity of the nation, and no one wanted to help rehouse them. At the start of the operation, no one had even arranged drinking water for these displaced people. I tweeted about it and Nestle immediately responded by delivering thirty-eight tons of water to the main relief camp in Bannu Sports Complex, which they would then continue to do every week. But hardly anyone else was doing anything. No one cared.”

“A novel is interested in how one thing follows another; it is equally (arguably more) interested in what it feels like to live in time; in life lived by intensity. As a treatment of time, a novel activates not only curiosity in the reader (And then?) but memory: a form of attention that is accumulative as well as anticipatory, backward-reaching as well as forward-facing and itself capable of acting on time. That is, of repeating or extending the strategies of the narration. By skipping a bit of it. Or staying with it. Thickening it by reading a passage again.”

“بس عبادت کی اتنی ساری حقیقت ہے بابو لوکا! عبادت کا بانڈھا تیار ہوسائیں کے کرم کی نظر پڑ جائےتو باگوباگ ہو جاتا ہے۔ قیمت وہ ملتی ہے جو نہ سان میں نہ گمان میں۔ پر جو بانڈھا ہی پاس نہ ہو _____ تو خالی بندے پر کیا نظر پڑنی ہے ! کدھر سے عطا آنی ہے ! کدھر سے نوازا جانا ہے ____؟؟ بانڈھا تیار رکھ اور اس کی نظر راہ دیکھ____!!”