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Quote by Nadine Sadaka Boulos

“Most often, people look at life through a screen of prejudice. They do not see reality as it is; they see it as they want it to be.”

Quote by Nadine Sadaka Boulos

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Nadine Sadaka Boulos

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“In all these forms of disavowal, nay-saying and denial, what is at work is not a dialectic of negativity or the 'work of the negative'. It is no longer a question of a thought critical of reality, but of a subversion of reality in its principle, in its very self-evidence. The greater the positivity, the more violent is the - possibly silent - denial. We are all dissidents of reality today, clandestine dissidents most of the time. If thought cannot be exchanged for reality, then the immediate denial of reality becomes the only reality-based thinking. But this denial does not lead to hope, as Adorno would have it: 'Hope, as it emerges from reality by struggling against it to deny it, is the only manifestation of lucidity.' Whether for good or for ill, this is not true. Hope, if we were still to have it, would be hope for intelligence of - for insight into - good. Now, what we have left is intelligence of evil, that is to say, intelligence not of a critical reality, but of a reality that has become unreal by dint of positivity, that has become speculative by dint of simulation. Because it is there to counter a void, the whole enterprise of simulation and information, this aggravation of the real and of knowledge of the real, merely gives rise to an evergreater uncertainty. Its very profusion and relentlessness simply spreads panic. And that uncertainty is irredeemable, as it is made up of all the possible solutions.”

RealityCritical ThinkingNegationAdornoDissidenceIntelligence Of Evil
Book:The Intelligence of Evil or the Lucidity Pact
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“In this impossibility of reapprehending the world through images and of moving from information to a collective action and will, in this absence of sensibility and mobilization, it isn't apathy or general indifference that's at issue; it is quite simply that the umbilical cord of representation is severed. The screen reflects nothing. It is as though you are behind a two-way mirror: you see the world, but it doesn't see you, it doesn't look at you. Now, you only see things if they are looking at you. The screen screens out any dual relation (any possibility of 'response'). It is this failure of representation which, together with a failure of action, underlies the impossibility of developing an ethics of information, an ethics of images, an ethics of the Virtual and the networks. All attempts in that direction inevitably fail. All that remains is the mental diaspora of images and the extravagant performance of the medium. Susan Sontag tells a good story about this pre-eminence of the medium and of images: as she is sitting in front of the television watching the moon landing, the people she is watching with tell her they don't believe it at all. 'But what are you watching, then?' she asks. 'Oh, we're watching television!' Fantastic: they do not see the moon; they see only the screen showing the moon. They do not see the message; they see only the image. Ultimately, contrary to what Susan Sontag thinks, only intellectuals believe in the ascendancy of meaning; 'people' believe only in the ascendancy of signs. They long ago said goodbye to reality. They have gone over, body and soul, to the spectacular.”

RealityMeaningInformation AgeSignsMobilizationSpectacle
Book:The Intelligence of Evil or the Lucidity Pact
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“When truth and reality were made to take lie-detector tests, they themselves confessed to not believing in truth and reality. We are all agnostics. There were those who believed in God and those who did not. There are those who believe in reality and those who do not. And then there are the reality agnostics who, though not rejecting it in an absolute sense, reject belief in it: 'Reality (like God in the past) may perhaps exist, but I don't believe in it.' There is nothing contradictory or absurd in this. It is the enlightened refusal to let oneself be caught in the trap of a reality that is fetishized in its principle, a reality that is itself caught in the trap of the signs of reality. Is there such a thing as a naked, original reality, anterior to the signs in which it is made manifest? Who knows? The self-evidence of reality has a shadow of retrospective doubt hovering over it. However this may be, the agnostic is not concerned with this hinterworld or this original reality; he confines himself to reality as an unverifiable hypothesis, to signs as signs, behind which might also be hidden the absence of reality. (Their profusion in fact ends up voiding them of their credibility.)”

RealityBeliefCredibilityAgnosticismSigns
Book:The Intelligence of Evil or the Lucidity Pact
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“Art has always denied itself. But once it did so through excess, thrilling to the play of its disappearance. Today it denies itself by default - worse, it denies its own death. It immerses itself in reality, instead of being the agent of the symbolic murder of that same reality, instead of being the magical operator of its disappearance. And the paradox is that the closer it gets to this phenomenal confusion, this nullity as art, the greater credit and value it is accorded, to the extent that, to paraphrase Canetti, we have reached a point where nothing is beautiful or ugly any more; we passed that point without realizing it and, since we cannot get back to that blind spot, we can only persevere in the current destruction of art.”

ArtRealityPerseveranceUndistinctiveness
Book:The Intelligence of Evil or the Lucidity Pact
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“The virtuality of war is not, then, a metaphor. It is the literal passage from reality into fiction, or rather the immediate metamorphosis of the real into fiction. The real is now merely the asymptotic horizon of the Virtual. And it isn't just the reality of the real that's at issue in all this, but the reality of cinema. It's a little like Disneyland: the theme parks are now merely an alibi - masking the fact that the whole context of life has been disneyfied. It's the same with the cinema: the films produced today are merely the visible allegory of the cinematic form that has taken over everything - social and political life, the landscape, war, etc. - the form of life totally scripted for the screen. This is no doubt why cinema is disappearing: because it has passed into reality. Reality is disappearing at the hands of the cinema and cinema is disappearing at the hands of reality. A lethal transfusion in which each loses its specificity. If we view history as a film - which it has become in spite of us - then the truth of information consists in the postsynchronization, dubbing and sub-titling of the film of history.”

RealityCinemaLiteralismVirtualizationDisneyficationMilitary Entertainment Complex
Book:The Intelligence of Evil or the Lucidity Pact
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“As no man of large experience of humanity, however quietly carried it may be, can fail to be invested with an interest peculiar to the possession of such knowledge, Physician was an attractive man. Even the daintier gentlemen and ladies who had no idea of his secret, and who would have been startled out of more wits than they had, by the monstrous impropriety of his proposing to them 'Come and see what I see!' confessed his attraction. Where he was, something real was. And half a grain of reality, like the smallest portion of some other scarce natural productions, will flavour an enormous quantity of diluent.”

RealityTruthExperiencePerception Of RealityPerception Of Life
Book:LITTLE DORRIT
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