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Quote by Jarod Kintz

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Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.

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Jarod Kintz

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“When I was twelve, Flip came through Reno and gave out autographs at a casino. I didn't have a glossy photo for him to sign, so I had him sign my hand. For weeks I took a shower with a plastic bag over that hand, rubbed-banded at the wrist. It wasn't quite a romantic infatuation. There are levels of readiness. Young girls don't entertain the idea of sex, their body and another's together. That comes later, but there isn't nothing before it. There's an innocent displacement, a dreaming, and idols are perfect for a little girl's dreaming. They aren't real. They aren't the gas station attendant trying to lure you into the back of the service station, a paperboy trying to lure you into a tool-shed, a friend's father trying to lure you into his car. They don't lure. They beckon, but like desert mirages. Flip Farmer was safely unreachable. He was something special. I chose him from among all the men in the world, and he signed the back of my hand and smiled with very white, straight teeth. He gave us each that same smile, the children and adults who lined up at Hannah's. We weren't individuals but a surface he moved over, smiling and remote. The thing was, if he had returned my gaze, I probably would have washed his autograph from my hand.”

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Book:The Flamethrowers
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