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Quote by Sugaru Miaki

“No matter where you set your eyes, the scenery was flavorless, but at this moment in time, everything about it was beautiful. I had no need to perceive the world in an efficient way anymore, and no need to blame it for my predicament. I had the wherewithal to view everything for exactly what it was.”

Quote by Sugaru Miaki

Book:Three Days of Happiness
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Three Days of Happiness

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Sugaru Miaki

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“Enchantment came so easily to me as a child, but I wrongly thought it was small, parochial, a shameful thing to be put away in the rush towards adulthood. Now I wonder how I can find it again. It turns out that it had nothing to do with beauty after all--not in any grand objective sense. I think instead that when I was young, it came from a deep engagement with the world around me, the particular quality of experience that accompanies close attention, the sense of contact that emerges from noticing. I worked hard to suppress all those things. I thought it was what I had to do in order to grow up. It took years of work, years of careful forgetting. I never realised what I was losing. But enchantment cannot be destroyed. It waits patiently for us to remember that we need it. And now when I start to look for it, there it is: pale, intermittent, waiting patiently for my return. The sudden catch of sunlight behind stained glass. The glint of gold in the silt of a stream. The words that whisper through the leaves.”

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Book:Enchantment: Awakening Wonder in an Anxious Age
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“I’m well aware that this—that I—am the first man to ever do this to her. And yes, as a guy, that fact makes it even better. You know who Neil Armstrong is, don’t you? Now tell me who the second guy was. Hell, tell me any other guy you know who made it to the moon after him. You can’t, can you? That’s why this is such a rush. She’ll never forget this. She’ll always remember…me. Maybe that’s chauvinistic and egotistical, but it’s the truth. -Drew Evans”

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“While she waited there she forgot the prospect of untoward change. The bray of a lazy burro broke the afternoon quiet, and it was comfortingly suggestive of the drowsy farmyard, and the open corrals, and the green alfalfa fields. Her clear sight intensified the purple sage-slope as it rolled before her. Low swells of prairie-like ground sloped up to the west. Dark, lonely cedar trees, few and far between, stood out strikingly, and at long distances ruins of red rocks. Farther on, up the gradual slope, rose a broken wall, a huge monument, looming dark purple and stretching its solitary, mystic way, a wavering line that faded in the north. Here to the westward was the light and color and beauty. Northward the slope descended to a dim line of canyons from which rose an up-flinging of the earth, not mountainous, but a vast heave of purple uplands, with ribbed and fan-shaped walls, castle-crowned cliffs, and gray escarpments. Over it all crept the lengthening, waning afternoon shadows.”

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Book:Riders of the Purple Sage
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