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“They destroyed wolves for a host of pragmatic reasons: to safeguard livestock, to knit local ecosystems into global capitalist markets, to collect state-sponsored bounties, and to rid the world of beasts they considered evil, wild, corrupt, and duplicitous.”

Quote by Jon T. Coleman

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Vicious: Wolves and Men in America

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Jon T. Coleman

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“To overpower savagery one must lash out savagely. In their stories Euro-American colonists invented and broadcast a vision of wolves as threats to human safety. They then modeled their behavior on the ferocity they perceived in wolves. Thus folklore explains not only why humans destroyed wolves but why they did so with such cruel enthusiasm.”

“As had happened with Julius Caesar, it turned out that the people of Rome were actually quite keen on Gaius and were not fans of presumptuous senators and magistrates making unilateral decisions about the nature of Roman government with swords. Supreme executive power derives from a mandate from the masses, they believed, not from some farcical bloody murder. Strange men in corridors distributing stab wounds was no basis for a system of government.”

“But we are all Goths, for all that, whoever we are; which is to say, Outlanders. And like the Goth Sarus we still owe loyalty to an Empire, but we no longer know of what the Empire consists. We are still bound by the statement of Stilicho that the highest duty in the World is the proper ordering of the World. There will be, and are, other worlds; and perhaps it is not a terrible thing that a world should end. But we are still in admiration at the great corpse of it.”

“The historian Cassiodorus believed that the selective destruction of Alaric, as regards the Greek monuments, was of good effect. Alaric had some taste and was awed by really great art. The Greeks were only human, and all their work could not have been excellent. But almost all their ancient work that survived the ravages of Alaric was of unsurpassed excellence. There is abominable and worthless ancient Greek art in Asia Minor, in Constantinople, in Thebes, in Eritrea, in the Cyclades and other islands. There is little or none of this worthless ancient art surviving in the path of the Gothic Greek adventure; not in Athens, or Megara or Corinth or Argos. Sparta does not figure in the account at all; it never had art. It is said that Alaric destroyed half of the art of Greece. It may have been the worst half. He was a critic of unusual effectiveness.”