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Quote by N.D. Stevenson

“In the meantime... ...how would you feel about robbing a bank? " "Positively! I feel positively about robbing a bank!" " I thought you might.”

Quote by N.D. Stevenson

Book:Nimona

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Nimona

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N.D. Stevenson

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“The elevator came to a jerking halt and the doors slid open. A young vault manager was waiting for us. She looked up and then froze in fear, dropping the papers she was holding. I don't remember much else about her, but I'll never forget her scream. It wasn't even particularly memorable. Like most, it started like a high-pitched yelp and ended in hysterical sobbing. The timing was what threw me off. During most robberies, it takes a few seconds before someone lets out a yelp. Sometimes there is even this strange pregnant silence through the whole thing because everyone's too shocked and scared to move. But not this time. As soon as the elevator doors opened up, the woman started screaming. I grabbed her by the hair and threw her into one of the teller windows.”

“Where's Mason?” “Planting explosives.” Zinio did a double take. “You actually handed that man explosives?” “Damn it, Zinio. Let other people have some fun.” The explosion in the distance was followed by Mason yelling, “Yahoo!” Zinio and Delaney stared speechless as Mason flew by in the adjoining tunnel, riding the concussion wave of the blast. Finally, Zinio stomped after him. He peeled him off the floor in the adjoining tunnel. “You having fun yet?” “Hell yeah!” “Wanna go again?” “Hell yeah I wanta go again!” A short while later, Zinio watched Mason fly by on a concussion wave from the latest explosion, as Mason shouted, “Hot Diggity!” Zinio made his way over to the somewhat more charcoaled Mason. “You had enough yet?” Mason nodded shakily. “Good—because it'd be nice if we actually put a hole in the fricking wall! That is the object of this little exercise.”

“He [William Jennings Bryan] recognized that what Darwin proposed on the biological level, when applied on the societal level, might legitimize an ideology that supports the survival of the fittest, with all of its dire complications. Byran was able to envision the kind of society that Social Darwinism would create- the kind of exploitation that comes from unbridled capitalism, for instance- and chose to war against it.”

“If his mutism was the symbolic death of the ego, it helped birth ‘Warszawa’ as an aural space, a city sensually reimagined. The ‘words’ – sula vie delejo – have the open vowel sounds of Japanese and the melodious thickness of Italian, sound objects that emanate from well inside the body and that crystalize in the vocals rather than on the written page, a language of intensity rather than intelligibility. The struggle to complete sentences also resulted in the fragmented ‘Breaking Glass’, the lyric-free ‘Speed of Life’ and ‘A New Career in a New Town’ (the intention was to write lyrics for both), the vibrating wordless chorus of ‘Weeping Wall’, the autistic private language of ‘Subterraneans’, the emotional interjections (‘Ahhhh’) of ‘What in the World’, the circularity of ‘Always Crashing in the Same Car’ and the repetitions of ‘Be My Wife’.”