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Quote by Olivia Sudjic

“I was on the sidewalk, buffering, wondering if it was okay to follow people in real life.”

Quote by Olivia Sudjic

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“I'm going to have to get an entirely new social scene if I want to avoid him,' she said, hunting for evidence of him amongst her friends' feeds. I made a sympathetic face, but my heart leapt up onto her, beat its fists on her heart, yelled, Me Me Me!”

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“Never allow failure to stop you from going through the door of success. When failure tries to block your access, keep pushing until you get there.”

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“I saw a doctor. I went in case there were any remnants of the summer inside me—sticky, slender fish bones that needed to be scraped into the bin. He was dismissive of my concerns and said my body would have let me know by now. Did I have what was known as female intuition? I said I'd had my feminine intuition somewhat scrambled in the past.”

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“Famous revolutionary,' you say, and the laughter pumps out of your chest like blood, great almost painful spurts of it splashing up the building faces toward the marquee moon.”

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“He was a priest now, pagan, half-naked in the night, performing obscure rites of interment. Or he was the lead player in his own novel, or in one of those new arcade games William loved, compelled to repeat some totemic motion until he got it right. Only once did he feel, as he had on New Year's Eve, that someone was standing among the trees, watching. Well, let him watch, damn it. Something was being enacted here, as if it had been this deeper mission calling Mercer home all along. And now that he'd completed it, maybe he would be allowed to advance through to the next level, to a world where no one got shot.”

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“Everything's always changing, Charlie. We become who we are. The mask melts into the face.”

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“And thus it happens that the reader, the closer he comes to the novel's end, the more he wishes he were back in the summer with which it begins, and finally, instead of following the hero onto the cliffs of suicide, joyfully turns back to that summer, content to stay there forever.”

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“He wouldn't tell me that I always have two options—You can choose how you feel or you you can let your feelings choose you because maybe it is true that those were the options that my husband had, but I knew I didn't have those options and I hated for someone to tell me that I had options I didn't have because I knew that my mind was a small object for sale and my feelings could pick me up and own me and maybe my husband was too expensive for feelings to choose him, to pick him up and have him rung up and scanned and bagged and taken along with those feelings, feelings of I can't really get out of bed today and Husband, would you please not talk to me for the rest of the year. I, too often, had my face smashed against concrete curbs of Ruby, memories of Ruby, the way her face had looked that afternoon as she curled in that chair by the window and the light streaming in and the dark streaming out and what happened so soon after—I went around hostage to those memories, an invisible person following me with a gun barrel to my back.”

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“This wasn't a commodifiable realization, the kind of thing in college essays or inspirational books or the hardbound journals of gentle ladies. There was no ah, no ha, no relaxation or humor folded into this realization. There was just something real in my head—a rescue boat in a sea where there was no one left to save.”

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“Every few minutes or so I would remember the look from the man who had wanted fifty cents, and I'd look at that framed memory hanging in myself and it meant I was here, back in this sick city, but in other ways I was not here at all and anyone who looked closely could see that I had nothing to give, that I was a junk drawer, a collection of things that may or may not have had a use.”

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