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Quote by Julie Kagawa

“My name is Ashallyn'darkmyr Tallyn, third son of the Unseelie Court...Let it be known--from this day forth, I vow to protect Meghan Chase, daughter of the Summer King, with my sword, my honor, and my life. Her desires are mine. Her wishes are mine. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own existence be forfeit. This I swear, on my honor, my True Name, and my life. From this day on..." His voice went even softer, but I still heard it as though he whispered it into my ear. "I am yours.”

Quote by Julie Kagawa

Book:The Iron Queen
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Work

The Iron Queen

In this fantasy novel, the protagonist is a queen who governs a kingdom known for its iron and steel production. The story delves into her reign, exploring themes of power, politics, and the challenges of leadership in a world where metal is a precious resource. more

Author

Julie Kagawa
Julie Kagawa

Julie Kagawa is an American author known for her young adult fantasy novels. Her works include the 'Iron Fey' series and the 'The Lost Hero' series, which have gained popularity among readers. more

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“Belgium had no prior history in the slave trade, nor of African slaves. Léopold could fight against slavery without any hint of hypocrisy, even of the ahistorical type advanced by Hochschild. And it was slavery, not rubber operations, that contemporary observers viewed as the biggest threat to the people of the Congo.”

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“The missionary Fanny Emma Fitzgerald Guinness was allowed to visit one Arab slave fort in 1890, seeing “rows upon rows of dark nakedness, relieved here and there by the white dresses of the captors” in one pen holding 2,300 souls. She estimated that for every one slave eventually sold, seven died either in the raids, in the camps, or while being transported to the Indian Ocean.”

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Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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“In 1892, a Belgian trader and his entire caravan of six Europeans and 40 porters were beheaded by a thug controlled by the notorious slaver and warlord Msiri, who asked that their heads be returned to him to decorate his compound. The trader had tried to persuade Msiri and other local tyrants to sell their ivory to his company, which could transport it by river, thus obviating the need for slaves.”

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Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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“The black American missionary George Washington Williams, visiting in 1890, noted “the most revolting crimes” committed by the natives: “Human hands and feet and limbs, smoked and dried, are offered and exposed for sale in many of the native village markets. From the mouth of the Lomami-River to Stanley-Falls there are thirteen armed Arab camps; and in them I have seen many skulls of murdered slaves pendant from poles and over these camps floating their blood-red flag.” Oddly, Hochschild quotes Williams’ testimony against native practices to criticize the EIC for being insufficiently vigorous in its attempts to govern the territory. Heads I win, tails you lose. As this logical slip implies, a justifiably proportionate response to the scourge of the slave trade required keen efforts by the EIC to recruit and feed soldiers, clear villages in areas prone to slave raids, establish military and governance posts, and pursue slave armies to the death. “Accommodating the Arab slave traders would be a crime,” wrote the EIC captain, and later WWI hero, Jules Jacques de Dixmude in 1892.”

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Author:Bruce Gilley
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“The reader is lured into believing that every conflict he documents is about the drive for rubber, not the drive against slavery (or inter-tribal vendettas). One of many egregious examples will have to suffice.”

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Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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“Hochschild describes the EIC official Léon Fiévez as a “sadist” who “terrorized” the rubber-rich Équateur district where he was commissioner. His source is the George Bricusse mentioned above. Bricusse lasted only three years in the Congo before dying of either typhoid or malaria, a common occurrence for the EIC where the annual mortality rate for European soldiers was 20 percent. In the 1894 incident recalled, Fiévez is recounting to Bricusse his desperate attempts to feed his soldiers while battling slave lords in the area. There is no mention of rubber because this particular place had little of it. The slaving business, on the other hand, is flourishing and Bricusse notes its devastation everywhere. Fiévez had arrived a few days earlier and held parlay with local chiefs. They had agreed to supply his soldiers with food for payment. They then reneged and fled into the forest. Fiévez sent his troops in pursuit and, in the ensuing fight, 100 of the chiefs’ soldiers were killed. After that, the chiefs made good on their promise.”

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Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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“This egregious example of “Belgians bad, natives good” is the conceptual foundation of King Hochschild’s Hoax. And it bleeds into what is, for most readers, the enduring imaginative impact of the book, to have put a nasty Belgian face onto Mistah Kurtz, the phantom who draws Marlow’s steamboat up the Congo river in Joseph Conrad’s 1902 novella Heart of Darkness. Like generations of English professors, Hochschild has misread the book as an indictment of colonialism, which is difficult to square with its openly pro-colonial declarations and the fact of the “adoring” natives surrounding the deceased Kurtz.”

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Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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“Conrad spent six months working for a cargo company in the EIC in 1890, three weeks of it aboard a steamship traveling up river to today’s Kisangani. There is no mention of rubber in the novel because Conrad was there five years before rubber cultivation began. Kurtz is an ivory trader. So whatever sources Conrad was using when he began work on Heart of Darkness in 1898, his personal experiences would at most have added some color and context. Hochschild will have none of it, insisting that Conrad “saw the beginnings of the frenzy of plunder and death” which he then “recorded” in Heart of Darkness. The brutalities by whites in the 1979 film Apocalypse Now were inspired by the novel, Hochschild avers, because Conrad “had seen it all, a century earlier, in the Congo.” In another example of creative chronology, Hochschild cites a quotation that he believes was the inspiration for Kurtz’s famous scrawl, “Exterminate all the brutes!” The quotation was made public for the first time during a Belgian legislative debate in 1906. Whatever its authenticity, it could not be a source for a book published in 1902.”

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Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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“he main point is that Conrad realistically described the terrible things done by Belgians in the Congo. Hochschild certainly wishes this was Conrad’s purpose. He repeats an old theory that Kurtz was based on the EIC officer Léon Rom whom Conrad “may have met” in 1890 and “almost certainly” read about in 1898. Visitors noted that Rom’s garden was decorated with polished skulls buried in the ground, the garden gnomes of the Congo then. But Kurtz’s compound has no skulls buried in the ground but rather freshly severed “heads on the stakes” that “seemed to sleep at the top of that pole.” As the British scholar Johan Adam Warodell notes, none of the “exclusively European prototypes” for Kurtz advanced by woke professors and historians followed this native mode of landscape gardening. By contrast, dozens of accounts of African warlords and slavers in the Congo published before 1898 described rotting heads on poles (“a wide-reaching area marked by a grass fence, tied to high poles, which at the very top were decorated with grinning, decomposing skulls,” as one 1888 account had it). Far from being “one of the most scathing indictments of [European] imperialism in all literature,” as Hochschild declares it, Heart of Darkness is one of the most scathing indictments of the absence of European imperialism in all literature. Kurtz is a symbol of the pre-colonial horrors of the Congo, horrors that the EIC, however fitfully, was bringing to an end.”

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Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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