Quotessence
Home / Topics / Conrad Quotes

Conrad Quotes

Browse 15 quotes about Conrad.

Conrad Quotes

“«[...] Il massimo che ci si possa aspettare è una certa conoscenza di se stessi - che arriva troppo tardi - una raccolta di rimpianti inestinguibili. Io ho combattuto con la morte. È la lotta meno emozionante che possiate immaginare. Si svolge in un grigiore impalpabile, senza terreno sotto i piedi, con il vuoto attorno, senza spettatori, senza incitamenti, senza gloria, senza la grande smania di vittoria, senza la grande paura della sconfitta, in un'atmosfera malsana di tiepido scetticismo, senza credere più di tanto nel vostro diritto, né, tantomeno, in quello del vostro avversario. Se questa è la forma della suprema saggezza, allora la vita è un enigma più grande di quanto alcuni di noi non credano.»”

AdventureLife PhilosophyHorrorConrad
Book:Cuore di tenebra
Create image

“The old pull, the tide drawing me back in. I kept getting caught in this current—first love, I mean. First love kept making me come back to this, to him. He still took my breath away, just being near him. I had been lying to myself the night before, thinking I was free, thinking I had let him go. It didn't matter what he said or did, I'd never let him go.”

LoveLifeSummerYoung AdultFirst LoveBellyJenny HanConradThe Summer I Turned PrettyConrad Fisher
Book:The Summer I Turned Pretty
Create image

“Conrad spent six months working for a cargo company in the EIC in 1890, three weeks of it aboard a steamship traveling up river to today’s Kisangani. There is no mention of rubber in the novel because Conrad was there five years before rubber cultivation began. Kurtz is an ivory trader. So whatever sources Conrad was using when he began work on Heart of Darkness in 1898, his personal experiences would at most have added some color and context. Hochschild will have none of it, insisting that Conrad “saw the beginnings of the frenzy of plunder and death” which he then “recorded” in Heart of Darkness. The brutalities by whites in the 1979 film Apocalypse Now were inspired by the novel, Hochschild avers, because Conrad “had seen it all, a century earlier, in the Congo.” In another example of creative chronology, Hochschild cites a quotation that he believes was the inspiration for Kurtz’s famous scrawl, “Exterminate all the brutes!” The quotation was made public for the first time during a Belgian legislative debate in 1906. Whatever its authenticity, it could not be a source for a book published in 1902.”

CongoLeopold IiCongo Free StateHeart Of DarknessAdam HochschildConradApocalypse Now
Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
Create image

“he main point is that Conrad realistically described the terrible things done by Belgians in the Congo. Hochschild certainly wishes this was Conrad’s purpose. He repeats an old theory that Kurtz was based on the EIC officer Léon Rom whom Conrad “may have met” in 1890 and “almost certainly” read about in 1898. Visitors noted that Rom’s garden was decorated with polished skulls buried in the ground, the garden gnomes of the Congo then. But Kurtz’s compound has no skulls buried in the ground but rather freshly severed “heads on the stakes” that “seemed to sleep at the top of that pole.” As the British scholar Johan Adam Warodell notes, none of the “exclusively European prototypes” for Kurtz advanced by woke professors and historians followed this native mode of landscape gardening. By contrast, dozens of accounts of African warlords and slavers in the Congo published before 1898 described rotting heads on poles (“a wide-reaching area marked by a grass fence, tied to high poles, which at the very top were decorated with grinning, decomposing skulls,” as one 1888 account had it). Far from being “one of the most scathing indictments of [European] imperialism in all literature,” as Hochschild declares it, Heart of Darkness is one of the most scathing indictments of the absence of European imperialism in all literature. Kurtz is a symbol of the pre-colonial horrors of the Congo, horrors that the EIC, however fitfully, was bringing to an end.”

CongoCongo Free StateHeart Of DarknessAdam HochschildLeopold S GhostConradRomKurtz
Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
Create image

“If Conrad remembered the skinny, frightened girl he'd held for one brief moment on a frigid Boston street corner, he showed no signs of it when we met ... Even as I tried to urge hum back against the pillows, he looked at me with wild eyes. "What happened to your leather jacket?" he asked. "Shh," I said, trying to sooth him. "There's no leather jacket." "You were wearing it the first time I saw you," he said, frowning slightly.”

LoveRemembranceConradAnnabel
Book:Annabel
Create image

“It was then that Brown took his revenge upon the world which, after twenty years of contemptuous and reckless bullying, refused him the tribute of a common robber’s success. It was an act of cold-blooded ferocity, and it consoled him on his deathbed like a memory of an indomitable defiance. . . . Thus Brown balanced his account with the evil fortune. Notice that even in this awful outbreak there is a superiority as of a man who carries right—the abstract thing—within the envelope of his common desires. It was not a vulgar and treacherous massacre; it was a lesson, a retribution—a demonstration of some obscure and awful attribute of our nature which, I am afraid, is not so very far under the surface as we like to think.”

ModernismModernistJoseph ConradConradFreudian
Book:Lord Jim
Create image

“He is romantic—romantic,” he repeated. “And that is very bad—very bad. . . . Very good, too,” he added. “But is he?” I queried. ‘“Gewiss,” he said, and stood still holding up the candelabrum, but without looking at me. “Evident! What is it that by inward pain makes him know himself? What is it that for you and me makes him—exist?” ‘At that moment it was difficult to believe in Jim’s existence—starting from a country parsonage, blurred by crowds of men as by clouds of dust, silenced by the clashing claims of life and death in a material world—but his imperishable reality came to me with a convincing, with an irresistible force! I saw it vividly, as though in our progress through the lofty silent rooms amongst fleeting gleams of light and the sudden revelations of human figures stealing with flickering flames within unfathomable and pellucid depths, we had approached nearer to absolute Truth, which, like Beauty itself, floats elusive, obscure, half submerged, in the silent still waters of mystery. “Perhaps he is,” I admitted with a slight laugh, whose unexpectedly loud reverberation made me lower my voice directly; “but I am sure you are.” With his head dropping on his breast and the light held high he began to walk again. “Well—I exist, too,” he said.”

MetaphysicsMetaphysicalModernismModernistJoseph ConradConrad
Book:Lord Jim
Create image

“He was just a word for me. I did not see the man in the name any more than you do. Do you see him? Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream - making a vein attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams... No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one's existence - that which makes its truth, its meaning - its subtle and penetrating essence. We live, as we dream, alone...”

ExistenceDreamsExistentialismHeart Of DarknessConrad
Book:Heart of Darkness
Create image