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Quote by Bruce Gilley

“Conrad spent six months working for a cargo company in the EIC in 1890, three weeks of it aboard a steamship traveling up river to today’s Kisangani. There is no mention of rubber in the novel because Conrad was there five years before rubber cultivation began. Kurtz is an ivory trader. So whatever sources Conrad was using when he began work on Heart of Darkness in 1898, his personal experiences would at most have added some color and context. Hochschild will have none of it, insisting that Conrad “saw the beginnings of the frenzy of plunder and death” which he then “recorded” in Heart of Darkness. The brutalities by whites in the 1979 film Apocalypse Now were inspired by the novel, Hochschild avers, because Conrad “had seen it all, a century earlier, in the Congo.” In another example of creative chronology, Hochschild cites a quotation that he believes was the inspiration for Kurtz’s famous scrawl, “Exterminate all the brutes!” The quotation was made public for the first time during a Belgian legislative debate in 1906. Whatever its authenticity, it could not be a source for a book published in 1902.”

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“he main point is that Conrad realistically described the terrible things done by Belgians in the Congo. Hochschild certainly wishes this was Conrad’s purpose. He repeats an old theory that Kurtz was based on the EIC officer Léon Rom whom Conrad “may have met” in 1890 and “almost certainly” read about in 1898. Visitors noted that Rom’s garden was decorated with polished skulls buried in the ground, the garden gnomes of the Congo then. But Kurtz’s compound has no skulls buried in the ground but rather freshly severed “heads on the stakes” that “seemed to sleep at the top of that pole.” As the British scholar Johan Adam Warodell notes, none of the “exclusively European prototypes” for Kurtz advanced by woke professors and historians followed this native mode of landscape gardening. By contrast, dozens of accounts of African warlords and slavers in the Congo published before 1898 described rotting heads on poles (“a wide-reaching area marked by a grass fence, tied to high poles, which at the very top were decorated with grinning, decomposing skulls,” as one 1888 account had it). Far from being “one of the most scathing indictments of [European] imperialism in all literature,” as Hochschild declares it, Heart of Darkness is one of the most scathing indictments of the absence of European imperialism in all literature. Kurtz is a symbol of the pre-colonial horrors of the Congo, horrors that the EIC, however fitfully, was bringing to an end.”

“Some people might view “King Hochschild’s Hoax,” as we might call it, as an empowering fable for modern Africans at the expense of the white man. But its debilitating effects on Africa, and on the Congo in particular, make the opposite more nearly the case. It is a callous and negligent chicotte (hippo whip) lash on the backs of all black Africans, narcissistic guilt porn for white liberals at the expense of the African. The Congolese lawyer Marcel Yabili calls it “the greatest falsification in modern history,” a compliment of sorts, I suppose.”

“Prof. Gilley declares that my “central lie,” my “first and biggest deceit,” is to equate the État independant du Congo, the regime King Leopold II of Belgium controlled for 23 years, with colonialism.”

“For the past 25 years, the idea of the Congo has been closely linked in the Western imagination to the 1998 book King Leopold’s Ghost by the American journalist Adam Hochschild. The book is widely assigned in high schools and colleges, and it regularly tops best-seller lists in colonial, African, and Western history. Hochschild has become a sort of king of the Congo, or at least of its history. The book is reflexively cited by reputable scholars in their footnotes any time they wish to assert that it is “well known” and “beyond doubt” that sinister men in Europe wrought havoc in Africa over a century ago. Any discussion of the Congo, or of European colonialism more generally, invariably begins with the question: “Have you read King Leopold’s Ghost?” I have read it. And I can declare that it is a vast hoax, full of distortions and errors both numerous and grave. Some people might view “King Hochschild’s Hoax,” as we might call it, as an empowering fable for modern Africans at the expense of the white man.”

“Het privé-leengoed van koning Leopold in Congo was precies het contrafeitelijke tegenwicht tegen de koloniale overheersing en het beste argument voor kolonialisme. Zijn onvermogen om zijn inheemse rubberagenten te controleren die hun prekoloniale activiteiten van slavenhandel en gedwongen rubberoogst voortzetten, toonde de problemen aan die zouden ontstaan als Europese freelancers zouden samenwerken met inheemse krijgsheren en slavenhandelaren om regimes op te richten zonder toezicht van buitenaf.”

“Vansina citeert een deel van een Harvard-studie over de Belgische kolonie Congo, gesticht in 1908. Het rapport citeert een eerder rapport over Belgisch Congo van 1919 waarin werd beweerd dat de bevolking “met de helft verminderd was”. Het citeert deze bewering om aan te geven dat het vrijwel zeker onjuist is. Dat komt omdat de bevolkingsschattingen voor Belgisch Congo sterk uiteenliepen en puur giswerk bleven. Ze waren van ‘weinig waarde bij het trekken van precieze conclusies’. De enige harde conclusie die het bereikte was dat de bevolking niet toenam. De oorzaken waren talrijk, waaronder slaapziekte, oorlog tussen stammen, slechte voeding, vrouwenhandel, polygamie en de arbeidsomstandigheden voor mannen in Europese industriële en commerciële ondernemingen.”