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Quote by Bruce Gilley

“The black American missionary George Washington Williams, visiting in 1890, noted “the most revolting crimes” committed by the natives: “Human hands and feet and limbs, smoked and dried, are offered and exposed for sale in many of the native village markets. From the mouth of the Lomami-River to Stanley-Falls there are thirteen armed Arab camps; and in them I have seen many skulls of murdered slaves pendant from poles and over these camps floating their blood-red flag.” Oddly, Hochschild quotes Williams’ testimony against native practices to criticize the EIC for being insufficiently vigorous in its attempts to govern the territory. Heads I win, tails you lose. As this logical slip implies, a justifiably proportionate response to the scourge of the slave trade required keen efforts by the EIC to recruit and feed soldiers, clear villages in areas prone to slave raids, establish military and governance posts, and pursue slave armies to the death. “Accommodating the Arab slave traders would be a crime,” wrote the EIC captain, and later WWI hero, Jules Jacques de Dixmude in 1892.”

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Bruce Gilley

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“The reader is lured into believing that every conflict he documents is about the drive for rubber, not the drive against slavery (or inter-tribal vendettas). One of many egregious examples will have to suffice.”

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Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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“Hochschild describes the EIC official Léon Fiévez as a “sadist” who “terrorized” the rubber-rich Équateur district where he was commissioner. His source is the George Bricusse mentioned above. Bricusse lasted only three years in the Congo before dying of either typhoid or malaria, a common occurrence for the EIC where the annual mortality rate for European soldiers was 20 percent. In the 1894 incident recalled, Fiévez is recounting to Bricusse his desperate attempts to feed his soldiers while battling slave lords in the area. There is no mention of rubber because this particular place had little of it. The slaving business, on the other hand, is flourishing and Bricusse notes its devastation everywhere. Fiévez had arrived a few days earlier and held parlay with local chiefs. They had agreed to supply his soldiers with food for payment. They then reneged and fled into the forest. Fiévez sent his troops in pursuit and, in the ensuing fight, 100 of the chiefs’ soldiers were killed. After that, the chiefs made good on their promise.”

CongoLeopold IiCongo Free StateAdam HochschildLeopold S GhostRed RubberLéon FiéveéQuateur District
Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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“This egregious example of “Belgians bad, natives good” is the conceptual foundation of King Hochschild’s Hoax. And it bleeds into what is, for most readers, the enduring imaginative impact of the book, to have put a nasty Belgian face onto Mistah Kurtz, the phantom who draws Marlow’s steamboat up the Congo river in Joseph Conrad’s 1902 novella Heart of Darkness. Like generations of English professors, Hochschild has misread the book as an indictment of colonialism, which is difficult to square with its openly pro-colonial declarations and the fact of the “adoring” natives surrounding the deceased Kurtz.”

CongoLeopold IiCongo Free StateHeart Of DarknessAdam HochschildLeopold S GhostJoseph Conrad
Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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“Conrad spent six months working for a cargo company in the EIC in 1890, three weeks of it aboard a steamship traveling up river to today’s Kisangani. There is no mention of rubber in the novel because Conrad was there five years before rubber cultivation began. Kurtz is an ivory trader. So whatever sources Conrad was using when he began work on Heart of Darkness in 1898, his personal experiences would at most have added some color and context. Hochschild will have none of it, insisting that Conrad “saw the beginnings of the frenzy of plunder and death” which he then “recorded” in Heart of Darkness. The brutalities by whites in the 1979 film Apocalypse Now were inspired by the novel, Hochschild avers, because Conrad “had seen it all, a century earlier, in the Congo.” In another example of creative chronology, Hochschild cites a quotation that he believes was the inspiration for Kurtz’s famous scrawl, “Exterminate all the brutes!” The quotation was made public for the first time during a Belgian legislative debate in 1906. Whatever its authenticity, it could not be a source for a book published in 1902.”

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Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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“he main point is that Conrad realistically described the terrible things done by Belgians in the Congo. Hochschild certainly wishes this was Conrad’s purpose. He repeats an old theory that Kurtz was based on the EIC officer Léon Rom whom Conrad “may have met” in 1890 and “almost certainly” read about in 1898. Visitors noted that Rom’s garden was decorated with polished skulls buried in the ground, the garden gnomes of the Congo then. But Kurtz’s compound has no skulls buried in the ground but rather freshly severed “heads on the stakes” that “seemed to sleep at the top of that pole.” As the British scholar Johan Adam Warodell notes, none of the “exclusively European prototypes” for Kurtz advanced by woke professors and historians followed this native mode of landscape gardening. By contrast, dozens of accounts of African warlords and slavers in the Congo published before 1898 described rotting heads on poles (“a wide-reaching area marked by a grass fence, tied to high poles, which at the very top were decorated with grinning, decomposing skulls,” as one 1888 account had it). Far from being “one of the most scathing indictments of [European] imperialism in all literature,” as Hochschild declares it, Heart of Darkness is one of the most scathing indictments of the absence of European imperialism in all literature. Kurtz is a symbol of the pre-colonial horrors of the Congo, horrors that the EIC, however fitfully, was bringing to an end.”

CongoCongo Free StateHeart Of DarknessAdam HochschildLeopold S GhostConradRomKurtz
Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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“Some people might view “King Hochschild’s Hoax,” as we might call it, as an empowering fable for modern Africans at the expense of the white man. But its debilitating effects on Africa, and on the Congo in particular, make the opposite more nearly the case. It is a callous and negligent chicotte (hippo whip) lash on the backs of all black Africans, narcissistic guilt porn for white liberals at the expense of the African. The Congolese lawyer Marcel Yabili calls it “the greatest falsification in modern history,” a compliment of sorts, I suppose.”

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Book:King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.
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“Prof. Gilley declares that my “central lie,” my “first and biggest deceit,” is to equate the État independant du Congo, the regime King Leopold II of Belgium controlled for 23 years, with colonialism.”

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Book:The Ghost Still Haunts: Adam Hochschild responds to Bruce Gilley, who follows in kind
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“For the past 25 years, the idea of the Congo has been closely linked in the Western imagination to the 1998 book King Leopold’s Ghost by the American journalist Adam Hochschild. The book is widely assigned in high schools and colleges, and it regularly tops best-seller lists in colonial, African, and Western history. Hochschild has become a sort of king of the Congo, or at least of its history. The book is reflexively cited by reputable scholars in their footnotes any time they wish to assert that it is “well known” and “beyond doubt” that sinister men in Europe wrought havoc in Africa over a century ago. Any discussion of the Congo, or of European colonialism more generally, invariably begins with the question: “Have you read King Leopold’s Ghost?” I have read it. And I can declare that it is a vast hoax, full of distortions and errors both numerous and grave. Some people might view “King Hochschild’s Hoax,” as we might call it, as an empowering fable for modern Africans at the expense of the white man.”

CongoLeopold IiCongo Free StateAdam HochschildBruce GilleyHoaxLeopd S Ghost
Author:Bruce Gilley
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