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Quote by Chinua Achebe

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Chinua Achebe
Chinua Achebe

Nigerian novelist, poet, literary critic, widely regarded as one of the greatest African writers of the 20th century. Chinua Achebe is known for his profound insights into colonialism and African culture, with works such as 'Things Fall Apart' and 'Arrow of God'. more

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“But there was a young man who had been captivated. His name was Nwoye, Okonkwo's first son. It was not the mad logic of the Trinity that captivated him. He did not understand it. It was the poetry of the new religion, something felt in the marrow. The hymn about brothers who sat in darkness and in fear seemed to answer the vague and persistent question that haunted his young soul--the question of the twins crying in the bush and the question of Ikemefuna who was killed.He felt a relief within him as the hymn poured into his parched soul. The words of the hymn were like the drops of frozen rain melting on the dry palate of the panting earth.”

Things Fall Apart
Book:Things Fall Apart
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“I think there are two types of writers, the architects and the gardeners. The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they're going to have, where the wires are going to run, what kind of plumbing there's going to be. They have the whole thing designed and blueprinted out before they even nail the first board up. The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don't know how many branches it's going to have, they find out as it grows. And I'm much more a gardener than an architect.”

WritingWritersArchitectWriters On WritingWriting ProcessGardenerWriting CraftCraft
Author:George R.R. Martin
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“He only moved to his own impulses, leaving his wife a cold, lonely and withered woman. This bothered Clarita for years -- how her father treated her mother with a lack of emotion, of connection. Santos never beat her mother, but he would give her a devastating look that caused her to wilt like a water-starved flower. Clarita recalled how as a little girl, she hid away in her room, beneath blankets surrounded by dirt-caked dolls, distressed that Santos would come in and destroy her with such a look.”

FictionNarrativeLos AngelesShort Story CollectionLatine
Book:The Republic of East L.A.
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“Am I in the wrong place here, or in the wrong life? Did I not recognize, as I sat in a train that raced past a station and did not stop, that I was on the wrong train, and did I not learn from the conductor that the train would not stop at the next station, either, a hundred kilometers away, and did he not also admit to me, whispering with his hand shielding his mouth, that the train would not stop again at all?”

FilmCinemaMovieWerner HerzogFitzcarraldoConquest Of The Useless
Book:Conquest of the useless: reflections from the making of Fitzcarraldo
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“Ich las die Übersetzung des Piaveschen Librettos zu Ernani, herausgegeben in Zürich 1952, und im Vorwort steht in atemberaubender Dummheit, man habe die krassesten Unglaubwürdigkeiten ausgemerzt, wo doch gerade das Unfaßbare das Schöne an der Geschichte ist, oder besser: an der Gattung Oper an sich, weil gerade was von keiner auch noch so exotischen Wahrscheinlichkeitsrechnung mehr erfaßbar ist, in der Oper zu einer machtvollen Verwandlung der ganzen Welt in Musik als das Natürliche erscheint. Auch die großen Gefühle der Oper, die oft als übersteigert abgetan werden, kommen mir eher in die Gegenrichtung aufs äußerste reduziert vor, auf das Archetypische der Gefühle verdichtet, nicht mehr weiter in ihrer Essenz konzentrierbar. Es sind Axiome von Gefühlen. Das ist es, was Oper und Dschungel verbindet.”

DeutschKunstWerner HerzogOper
Book:Conquest of the useless: reflections from the making of Fitzcarraldo
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