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Quote by Lily King

“No one will actually come out and say this nowadays, but women are at their best when they're writing about men: their husbands, their fathers, their lost loves. It's when they start writing about themselves that they become unreadable.”

Quote by Lily King

Work

Five Tuesdays in Winter

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Author

Lily King
Lily King

Lily King, born in 1963, is an accomplished American novelist. Her works are renowned for their profound character development and emotional expression, captivating readers worldwide. more

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“This chapter is about the large-scale, long-term context--the years of "no" messages--and the deep patterns of thinking and feeling they create, patterns that are reinforced and reiterated over decades of life. These patterns are emphatically not innate, but they were learned early. You began these lessons long before you were capable of thinking critically about whether you wanted them. And just as you learned them, you can unlearn them, if you want to, and replace them with new, healthier patterns that promote confidence, joy, satisfaction, and even ecstasy.”

“By limiting your exposure to media that makes you feel worse about yourself, you're not just improving your own sex life, you're also voting with your eyeballs, your ears, and your cash. You're joining an audience that will pay attention only to things that make women feel better about themselves. Wouldn't it be amazing to live in a world where performers and artists and media outlets were competing to make the largest number of women feel fantastic about their bodies right now? On behalf of women everywhere, thank you for anything you do to make that real!”

“My love goes out to every woman; the lovers, the doers, the caregivers, the rebels, the leaders, the builders, silent movers, and more! You give being a woman a huge difference. A beautiful meaning. Thank you for becoming all without reserve. Most importantly, thanks for being many layers on many weather, and thanks for refusing to be defined by standards that don't sing your praises enough!”

“Women who are either indisputably beautiful or indisputably ugly are best flattered upon the score of their understandings; but those who are in a state of mediocrity are best flattered upon their beauty, or at least their graces, for every woman who is not absolutely ugly thinks herself handsome; but not hearing often that she is so is the more grateful and the more obliged to the few who tell her so; whereas a decided and conscious beauty looks upon every tribute paid to her beauty only as her due, but wants to shine and to be considered on the side of her understanding…”

“Indeed, just as possession depends on the discontinuity of the series (real or virtual), and on the choice of a privileged term within it, so sexual perversion is founded on the inability, to apprehend the other qua, object of desire in his, or her unique totality, as a person, to grasp the other in any, but a discontinuous way: the other is transformed into the paradigm of various eroticized parts of the body, a single one of which becomes the focus of objectification. A particular woman is no longer a woman, but merely a sex, breasts, belly, thighs, voice, and face – and preferably just one of them. She thus becomes a constituent 'object' in a series whose different terms are gazetted by desire, and whose real referent is by no means the loved person but, rather, the subject himself, collecting and eroticizing himself, and turning the relationship of love into a discourse directed towards him alone.”