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Quote by Charlie Higson

“I'm sick and tired of being sick and tired,' said Maxie. 'I know how that feels,' said Blue. 'I think some Pharaoh had that carved on his tomb,' Maxie added. 'Yeah? Times don't change much, do they?”

Quote by Charlie Higson

Book:The Enemy
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Work

The Enemy

This is a notable picture book that addresses the human cost of war through its visual narrative. The story presents soldiers on opposing sides who encounter each other in a wartime setting. Through its simplified artistic approach and minimal text, the book invites young readers to consider the nature of conflict and the common experiences shared by those placed on different sides of a battle. The work has been recognized as a significant Australian contribution to children's literature dealing with complex themes of warfare and peace. more

Author

Charlie Higson
Charlie Higson

Charlie Higson is a British actor born on July 3, 1958. He has a rich acting experience in the British film and television industry, appearing in numerous well-known movies and TV series. more

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“No attempt should be made to "reconcile" Yahweh's hardening of Pharaoh's heart (plagues 6,8,9,10) with statements in the other plagues that Pharaoh hardened his own heart. The tension cannot be resolved in a facile manner by suggesting, for example, that Pharaoh has already demonstrated his recalcitrance, so Yahweh merely helps the process along, or that he is doing what Pharaoh would have done on his own anyway. Rather, 9:12 is a striking reminder of what God has been trying to teach Moses and Israel since the beginning of the Exodus episode: He is in complete control. However Pharaoh might have reacted is given the chance is not brought into the discussion. He is not even given that chance. Yahweh hardens his heart. It is best to allow the tension of the text to remain.”

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Book:Exodus
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“So Musa was a simple god, a god of few words. His thick beard and strong arms made him seem like a giant who could have wrung the neck of any soldier in any ancient pharaoh's army. Which explains why, on the day when we learned of his death and the circumstances surrounding it, I didn't feel sad or angry at first; instead I felt disappointed and offended, as if someone had insulted me. My brother Musa was capable of parting the sea, and yet he died in insignificance, like a common bit player, on a beach that today has disappeared, close to the waves that should have made him famous forever.”

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Book:The Meursault Investigation
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“He tossed on the pillow, trying to dislodge the flies that tormented him every waking hour. Had there always been so many? He had never noticed them so keenly before; but now, tied to this bed, he began to think that had he been Pharaoh, he would have let the Hebrew children go anywhere they wanted, with whatever they wanted, at the beginning of the fourth plague, without any more argument.”

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Book:The Letter
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“Female Pharaohs didn't have a unique title distinguishing them from male Pharaohs. They were just Pharaohs too. The Pharaoh is my icon because of this fact. A reminder that being a woman doesn't mean you can't commission pyramids, command armies, overthrow enemies and order around powerful warlocks. "Queen" doesn't do it for me. I'm not a Queen; I am a Pharaoh.”

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Author:C. JoyBell C.
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“Thus framed the first narrative lacuna, the first release of communal tears, in this storied journey is that the oppressive Pharaoh did not know Joseph. What it is about Joseph that this Pharaoh—only the latest in a succession of Pharaohs within the political institution—did not know is unclear and unstated. But far as epistemological amnesia screams for narrative and interpretive attention. His amnesia is corrosive to the communal and interpret of existence of the Hebrews. And it is from that abyss that the exodus-motif begins to birth Exodus-story.”

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Book:Let My People Live: An African Reading of Exodus
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