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Quote by Christopher Morley

“There is no mistaking a real book when one meets it. It is like falling in love, and like that colossal adventure it is an experience of great social import. Even as the tranced swain, the booklover yearns to tell others of his bliss. He writes letters about it, adds it to the postscript of all manner of communications, intrudes it into telephone messages, and insists on his friends writing down the title of the find. Like the simple-hearted betrothed, once certain of his conquest, “I want you to love her, too!” It is a jealous passion also. He feels a little indignant if he finds that any one else has discovered the book, too.”

Quote by Christopher Morley

Author

Christopher Morley
Christopher Morley

Christopher Morley was an American journalist and writer, born on May 5, 1890, in Pennsylvania, and died on March 28, 1957. Known for his humorous and witty writing style, Morley is considered an important figure in American literature of the 20th century. more

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“Let me begin with a heartfelt confession. I admit it. I am a biblioholic, one who loves books and whose life would seem incomplete without them. I am an addict, with a compulsive need to stop by nearly any bookstore I pass in order to get my fix. Books are an essential part of my life, the place where I have spent many unforgettable moments. For me, reading is one of the most enjoyable ways to pass a rainy afternoon or a leisurely summer day. I crave the knowledge and insights that truly great books bring into my life and can spend transported hours scouring used book stores for volumes which "I simply must have". I love the smell and feel of well-loved books and the look of a bookcase full of books waiting to be taken down and read.”

“أحب الكتب أكثر من الأفلام. فالأفلام تخبرك ما تفكر به. أما الكتاب الجيد يدعك تختار أفكارك بنفسك. في الأفلام تشاهد بيتا باللون الأحمر. في الكتاب، يقول لك هناك بيت أحمر، ويتركك تضع التفاصيل، تختار تصميم السقف، تركن سيارتك أمامه...الخ خيالي دائما ما يتفوق على كل جديد تأتي به الأفلام”

“There must always be a fringe of the experimental in literature--poems bizarre in form and curious in content, stories that overreach for what has not hitherto been put in story form, criticism that mingles a search for new truth with bravado. We should neither scoff at this trial margin nor take it too seriously. Without it, literature becomes inert and complacent. But the everyday person's reading is not, ought not to be, in the margin. He asks for a less experimental diet, and his choice is sound. If authors and publishers would give him more heed they would do wisely. They are afraid of the swarming populace who clamor for vulgar sensation (and will pay only what it is worth), and they are afraid of petulant literati who insist upon sophisticated sensation (and desire complimentary copies). The stout middle class, as in politics and industry, has far less influence than its good sense and its good taste and its ready purse deserve.”