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Don't Call the Wolf

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Aleksandra Ross

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“I transformed Medusa," Athena continued, "so that she would have protection against all those who would try to harm her." "That's bullshit. You didn't give her a choice, did you?" Lore bit back. "And now history remembers her as a villain who deserved to die." "No. That is what men have portrayed her as, through art, through tales," Athena said. "They imagined her hideous because they feared to meet the true gaze of a woman, to witness the powerful storm that lives inside, waiting. She was not defeated by my uncle's assault. She was merely reborn as a being who could gaze back at the world, unafraid. Is that not what your own line did for centuries, staring out from behind her mask?”

Young AdultMythologyYoung Adult FictionGreek MythologyGreek GodsMedusa
Book:Lore
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“SELKIE Alone, the cold body of the selkie man lay upon the sand, so like the drowned one the widow had called for. For her longing, he was hauled upon the sand, exposed to the moonlight. The selkie strained in fraught movements and human form broke from the gleaming seal fur. Undeniably he bore the image of the widow’s lost husband and spoke with the sounds of the dead man’s voice. She hailed back from the rocks. Shadows accumulating beyond the moon’s ability to reform. Colours were washed from sight and silver crashed through her, colder than snow dreams of being. In the dark, the ocean became the rolling flanks of a great beast drifting back across the horizon. Out deep soon, the land’s drop sharp.”

OceanMythologyDark FantasyShort StoriesFolkloreMythical CreaturesFolktalesSelkieSelkiesSelkie Man
Book:Mystical Tides
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“Constance was interested only in the actual history of the real woman Semiramis. The wild mythologies and legends that had grown up around her over the centuries bit too deeply into Constance’s own uncertainty and guilty fear. She could not bear the legendary, magical figure featured in multiple, sometimes conflicting embellishments, certainly not the damned creature of Dante—-consigned to Hell in the Circle of Lust—-or the tragic figure of Voltaire or Rossini’s opera. But the real woman Semiramis, who had taken the throne at her husband’s death and remained there until her son came of age, who had ruled, expanded, and stabilized the Assyrian Empire, here was a woman who could lend her hope. Aside from history, the only myth of Semiramis that touched her was that of an abandoned girl raised by doves.”

MythologyEmpressDovesSemiramis
Book:The Seamstress of New Orleans
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“But in this story, as in so many others, what we really discern is the deceptive, ambiguous and giddy riddle of violence, passion, poetry and symbolism that lies at the heart of Greek myth and refuses to be solved. An algebra too unstable properly to be computed, it is human-shaped and god-shaped, not pure and mathematical. It is fun trying to interpret such symbols and narrative turns, but the substitutions don't quite work and the answers yielded are usually no clearer than those of an equivocating oracle.”

HistoryMythologyGreekClassicsOracles
Book:Mythos - The Greek Myths Retold
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“I had not learned that peace galls men, how they gather impatient rage against it as it continues, how even while they pray the powers for peace, they work against it and make certain it will be broken and give way to battle, slaughter, rape, and wast. Of all the greater powers the one I fear the most is the one I cannot worship, the one who walks the boundary, the one who sets the ram on the ewe, and the bull on the heifer, the sword in the farmer's hand. . .”

FictionMythologyClassics
Author:Ursula K. LeGuin
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