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Quote by Gabriel García Márquez

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Gabriel García Márquez

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“These moments of nocturnal prowling leave an indelible impression. Eyes and ears are tensed to the maximum, the rustling approach of strange feet in the tall grass in an unutterably menacing thing. Your breath comes in shallow bursts; you have to force yourself to stifle any panting or wheezing. There is a little mechanical click as the safety-catch of your pistol is taken off; the sound cuts straight through your nerves. Your teeth are grinding on the fuse-pin of the hand-grenade. The encounter will be short and murderous. You tremble with two contradictory impulses: the heightened awareness of the huntsmen, and the terror of the quarry. You are a world to yourself, saturated with the appalling aura of the savage landscape.”

TrenchesFirst World WarWwiNature Of WarSoldieringWar PsychologyStorm Of Steel
Author:Ernst Jünger
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“It’s like a man in the trenches again: he doesn’t know any more why he should go on living, because if he escapes now he’ll only be caught later, but he goes on just the same, and even though he has the soul of a cockroach and has admitted as much to himself, give him a gun or a knife or even just his bare nails, and he’ll go on slaughtering and slaughtering, he’d slaughter a million men rather than stop and ask himself why.”

SlaughterSoldiersTrenchesExistential Questions
Book:Tropic of Cancer
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“We set to work to bury people. We pushed them into the sides of the trench but bits of them kept getting uncovered and sticking out, like people in a badly made bed. Hands were the worst; they would escape from the sand, pointing, begging - even waving! There was one which we all shook when we passed, saying, 'Good morning', in a posh voice. Everybody did it. The bottom of the trench was springy like a mattress because of all the bodies underneath.”

CorpsesTrenchesWwiWorld War OneLeonard Thompson
Book:Akenfield: Portrait of an English Village
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“Rats, the only creatures that seemed to flourish in the trenches, were quite brave and were often a foot long (not including the tail), the size of a small cat. They grew fat on the corpses in No Man’s Land and were known to bite sleeping soldiers’ faces and gather around the eating areas. The French left the rats alone. Like a canary in a coal mine, the rats were a warning that gas shells had been fired. At the slightest whiff of gas, the large rats flipped feet up, dead. The Americans hated them too much to leave them alone. They bludgeoned the rats with shovels and rifle butts or shot them with their side arms.”

World War IRatsTrenchesWorld War 1World War One
Book:Courage: Roy Blanchard's Journey in America's Forgotten War
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“In many ways, the work of a critic is easy. We risk very little yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defence of the new. The world is often unkind to new talent, new creations, the new needs friends... Not everyone can become a great artist, but a great artist can come from anywhere.”

Ratatouille
Book:Ratatouille Script
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