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Wwi Quotes

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“I do not blame Lord French. I have no right to blame him, as I am not a soldier nor a military expert. He did his best, with the highest motives. The blunders he made were due to ignorance of modern battles. Many other generals made many other blunders, and our men paid with their lives. Our High Command had to learn by mistakes, by ghastly mistakes, repeated often, until they became visible to the military mind and were paid for again by the slaughter of British youth. One does not blame. A writing-man, who was an observer and recorder, like myself, does not sit in judgment. He has no right to judge. He merely cries out, “O God! … O God!” in remembrance of all that agony and that waste of splendid boys who loved life, and died.”

“And then—but I suppose we'll be able to endure it somehow. To me, the strangest of all the strange things since 1914 is how we have all learned to accept things we never thought we could —to go on with life as a matter of course. [...] If one of them does not come back my heart will break—yet I go on and work and plan—yes, and even enjoy life by times. There are moments when we have real fun because, just for the moment, we don't think about things and then—we remember—and the remembering is worse than thinking of it all the time would have been.”

“If you can walk with the crowd and keep your virtue, or walk with Kings-nor lose the common touch; If neither foes nor loving friends can hurt you; If all men count with you, but none too much; If you can fill the unforgiving minute with 60 seconds worth of distance run- Yours is the earth and everything that's in it, And-which is more-you'll be a man my son.”

“(On WWI:) A man of importance had been shot at a place I could not pronounce in Swahili or in English, and, because of this shooting, whole countries were at war. It seemed a laborious method of retribution, but that was the way it was being done. ... A messenger came to the farm with a story to tell. It was not a story that meant much as stories went in those days. It was about how the war progressed in German East Africa and about a tall young man who was killed in it. ... It was an ordinary story, but Kibii and I, who knew him well, thought there was no story like it, or one as sad, and we think so now. The young man tied his shuka on his shoulder one day and took his shield and his spear and went to war. He thought war was made of spears and shields and courage, and he brought them all. But they gave him a gun, so he left the spear and the shield behind him and took the courage, and went where they sent him because they said this was his duty and he believed in duty. ... He took the gun and held it the way they had told him to hold it, and walked where they told him to walk, smiling a little and looking for another man to fight. He was shot and killed by the other man, who also believed in duty, and he was buried where he fell. It was so simple and so unimportant. But of course it meant something to Kibii and me, because the tall young man was Kibii's father and my most special friend. Arab Maina died on the field of action in the service of the King. But some said it was because he had forsaken his spear.”

“The war all over again – that’s exactly what they will have if they do win their complete military victory. When the “knock-out blow” has been dealt, they’ll have to go on keeping big armies and building big ships, to consolidate their position as top-dog. And as long as we have big armies and navies, we shall always have wars. The pretty toys have to be used – they can’t be kept for show…”

“It is the others that are sick. They are sick who gloat over news of victories and see conquered miles of territory rise resplendent above mounds of corpses. They are sick who stretch a wall of flags between themselves and their humanity so as not to know what crimes are being committed against their brothers in the beyond that they call "the front." Every man is sick who still can think, talk, discuss, sleep, knowing that other men holding their own entrails in their hands are crawling like half-crushed worms across the furrows in the fields and before they reach the stations for the wounded are dying off like animals, while somewhere, far away, a woman with passionate longing is dreaming beside an empty bed. All those are sick who can fail to hear the moaning, the gnashing of teeth, the howling, the crashing and bursting, the wailing and cursing and agonizing in death, because the murmur of everyday affairs is around them or the blissful silence of night.”

“Its magnificence was indescribable, and its magnitude was inconceivable. She felt overwhelmed in the presence of its greatness. Pg 87”

“Confession is good for the soul even after the soul has been claimed” (p. 381).”

“Can the spring really come this year?' Then she laughed—such a dreadful little laugh, just as one might laugh in the face of death, I think, and said 'Observe my egotism. Because I, Gertrude Oliver, have lost a friend, it is incredible that the spring can come as usual. The spring does not fail because of the million agonies of others—but for mine—oh, can the universe go on?' 'Don't feel bitter with yourself, dear,' mother said gently. 'It is a very natural thing to feel as if things couldn't go on just the same when some great blow has changed the world for us. We all feel like that.”

“I see so many women here,” she says, “and they are holding, all of them. Holding on to their sons or their lovers or their husbands, or their fathers, just as surely as they are holding on to the photographs that they keep or the fragments of childhood they bring with them and out on the table here.” She gestures with her hand. “They’re all different but all the same. All of them are afraid to let them go. And if we feel guilt, we find it even harder to release the dead. We keep them close to us; we guard them jealously. They were OURS. We want them to remain ours.” There’s a silence. “But they’re not ours,” she says. “And in a sense, they never were. They belong to themselves, only. Just as we belong to ourselves. And this is terrible in some ways, and in others...it might set us free.”

“People wonder what's the matter with the world these days. They forget that all the best fellows, the men who'd have been in their prime now, who'd have been giving us a lead in everything, are dead [in the Great War]. If you could bring 'em all back... hundreds and hundreds of thousands of 'em, you'd soon see the difference they'd make in the place. But they're dead, and a lot of people, very different sort of people, are alive and kicking.”

“Certainly, blame for all this [turmoil in the Middle East] doesn't rest solely with the terrible decisions that were made at the end of World War I, but it was then that one particularly toxic seed was planted. Ever since, Arab society has tended to define itself less by what it aspires to become than by what it is opposed to: colonialism, Zionism, Western imperialism in its many forms. This culture of opposition has been manipulated—indeed, feverishly nurtured—by generations of Arab dictators intent on channeling their people's anger away from their own misrule in favor of the external threat, whether it is "the great Satan" or the "illegitimate Zionist entity" or Western music playing on the streets of Cairo.”

“There is much argument here about what is respectable and what is not, and what a good gel should or should not do regarding hemlines. I have to report that the general opinion of a soldier looking forward to leave after many months at the Front is that a hemline should go up as far as possible, and that the more unrespectable the girl the better. The proviso being, of course, that one's own wife/sweetheart should not occupy this category.”

“Exciting News! BookLife Reviews, a division of Publishers Weekly, has given TORN its “Editor’s Pick” designation, a high honor given to independently published books that are deemed to be of outstanding quality by their editorial team! Their review said, in part, “This ambitious, vividly detailed, sometimes dense novel demonstrates that Snodgrass knows his patch of America like Faulkner knew Yoknapatawpha or Donald Harrington knew Stay More.”

“These moments of nocturnal prowling leave an indelible impression. Eyes and ears are tensed to the maximum, the rustling approach of strange feet in the tall grass in an unutterably menacing thing. Your breath comes in shallow bursts; you have to force yourself to stifle any panting or wheezing. There is a little mechanical click as the safety-catch of your pistol is taken off; the sound cuts straight through your nerves. Your teeth are grinding on the fuse-pin of the hand-grenade. The encounter will be short and murderous. You tremble with two contradictory impulses: the heightened awareness of the huntsmen, and the terror of the quarry. You are a world to yourself, saturated with the appalling aura of the savage landscape.”

“We set to work to bury people. We pushed them into the sides of the trench but bits of them kept getting uncovered and sticking out, like people in a badly made bed. Hands were the worst; they would escape from the sand, pointing, begging - even waving! There was one which we all shook when we passed, saying, 'Good morning', in a posh voice. Everybody did it. The bottom of the trench was springy like a mattress because of all the bodies underneath.”

“The ruins of Chief Azul's house can still be seen to the right as your enter the town of Sacaton from the north--a two story structure with the roof fallen in. In front, across the road to the south is a monument which was put up in memory of the first Indian killed in World War One who was a Pima Indian from our tribe. [page 51, Progress]”

“Kantorek would say that we stood on the threshold of life. And so it would seem. We had as yet taken no root. The war swept us away. For the others, the older men, it is but an interruption. They are able to think beyond it. We, however, have been gripped by it and do not know what the end may be. We know only that in some strange and melancholy way we have become a wasteland.”

“At the sound of the first droning of the shells we rush back, in one part of our being, a thousand years. By the animal instinct that is awakened in us we are led and protected. It is not conscious; it is far quicker, much more sure, less fallible, than consciousness. One cannot explain it. A man is walking along without thought or heed; - suddenly he throws himself down on the ground and a storm of fragments fly harmlessly over him; - yet he cannot remember either to have heard the shell coming or to have thought of flinging himself down. But had he not abandoned himself to the impulse he would now be a heap of mangled flesh. It is this other, this second sight in us, that has thrown us to the ground and saved us, without our knowledge how. If it were not so, there would not be one man alive . . .”

“It brings a lump into the throat to see how they go over, and run and fall. A man would like to spank them, they are so stupid, and to take them by the arm and lead them away from here where they have no business to be. They wear grey coats and trousers and boots, but for most of them the uniform is far too big, it hangs on their limbs, their shoulders are too narrow, their bodies too slight; no uniform was ever made to these childish measurements.”

“William Stoner entered the University of Missouri as a freshman in the year 1910, at the age of nineteen. Eight years later, during the height of World War I, he received his Doctor of Philosophy degree and accepted an instructorship at the same University, where he taught until his death in 1956. He did not rise above the rank of assistant professor, and few students remembered him with any sharpness after they had taken his courses. When he died his colleagues made a memorial contribution of a medieval manuscript to the University library. This manuscript may still be found in the Rare Books Collection, bearing the inscription: 'Presented to the Library of the University of Missouri, in memory of William Stoner, Department of English. By his colleagues.' An occasional student who comes upon the name may wonder idly who William Stoner was, but he seldom pursues his curiosity beyond a casual questions. Stoner's colleagues, who held him in no particular esteem when he was alive, speak of him rarely now; to the older ones, his name is a reminder of the end that awaits them all, and to the younger ones it is merely a sound which evokes no sense of the past and no identity with which they can associate themselves or their careers.”

“Alla fine maggio 1916, la mia brigata – reggimenti 399° e 400° – stava ancora sul Carso. Sin dall’inizio della guerra, essa aveva combattuto solo su quel fronte. Per noi, era ormai diventato insopportabile. Ogni palmo di terra ci ricordava un combattimento o la tomba di un compagno caduto. Non avevamo fatto altro che conquistare trincee, trincee e trincee. Dopo quella dei «gatti rossi», era venuta quella dei «gatti neri», poi quella dei «gatti verdi». Ma la situazione era sempre la stessa. Presa una trincea, bisognava conquistarne un’altra. Trieste era sempre là, di fronte al golfo, alla stessa distanza, stanca. La nostra artiglieria non vi aveva voluto tirare un sol colpo. Il duca d’Aosta, nostro comandante d’armata, la citava ogni volta, negli ordini del giorno e nei discorsi, per animare i combattenti.”