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I Quotes

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All I Quotes

“I try to teach a modernist and postmodernist position. On one hand, if you're a painter, you need to know the history of painting. But I'm also interested in the moment we live in. I love television, and movies, and books, and music. So I also think of art as this cultural production along with all this other stuff that's happening. So that's a kind of postmodern, not media-specific, but the times, what is your art relevant to this moment we live in versus media specificity? That's my teaching philosophy, both of those things are important.”

“I try to teach my students style, but always as a part of life, not as ornament. Style has to come out of communicating coherent thought, not in sticking little flowers on speeches. Style and substance and a sense of life are the things literature is composed of. One must use one's own personality in relationship to life and language, of course, and everyone has such a relationship. Some people find it, some don't find it, but it's there.”

“I try to tell people to do, or advise them, anyway, is adopt conservative philosophies like hard work, preparation, perseverance, love of God, love of country, personal responsibility. Start to think for yourself and then go out and vote. And I think that once they start to do that, they will know where their vote should go.”

“I try to tell student writers to read as much as possible, not only literature but philosophy, theory, and to form obsessions. There's a big taboo in fiction creative writing workshops against using the self at all, and I think I try to encourage students to write the self, but to connect the self to something larger, which is to be this thinking, seeing, searching, eternally curious person, and that writing can come out of investigating and trying to understand confusion, and doubts, and obsessions.”

“I try to tell them that all words are plastic. Word images begin to distort in the instant of utterance. Ideas imbedded in a language require that particular language for expression. This is the very essence of the meaning within the word exotic. See how it begins to distort? Translation squirms in the presence of the exotic. The Galach which I speak here imposes itself. It is an outside frame of reference, a particular system. Dangers lurk in all systems. Systems incorporate the unexamined beliefs of their creators. Adopt a system, accept its beliefs, and you help strengthen the resistance to change.”

“I try to think as little as possible, at least while working. I look at some of my early stories and can see the machination behind them, like a gear slowly moving. For example, sticking a dead father into the story to explain a character's sadness and bad decisions, or trying to impress myself with my own cleverness.”

“I try to think of a way to get there without going past it. There are lots of ways, but they all have me walking a little farther. And that's stupid, I decide. What am I, a little kid? I can stand to see something it hurts to want. I can see it and then just keep walking. It happens to lots of people everyday. We all survive.”

“I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.”

“I try to think of other things. David’s hand in mine. That was nice. Innocent, friendly hand-holding. I think of his tape measure. And his haircut. I think about what it might be like to kiss him. Not that I really think of him that way-like a boyfriend or even just some hookup-but still I imagine kissing him would feel good. A true thing. A real thing. I imagine he tastes like honesty.”

“I try to think of things to say but nothing comes, and if something did come I probably couldn't say it. This is my great obstacle, the biggest of all the boulders littering my path. In my mind I am eloquent; I can climb intricate scaffolds of words to reach the highest cathedral ceilings and paint my thoughts. But when I open my mouth, it all collapses.”