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African Americans Quotes

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African Americans Quotes

“Usually Americans have traditionally viewed questions of race as ancillary episodes, interesting but often exotic eddies outside the mainstream of the American experience. Thus, it was important for the [Smithsonian National Museum of African American History and Culture] to demonstrate through its interpretive frameworks that issue of race shaped all aspects of American life: from political discourse to foreign affairs to western expansion to cultural production.... It was also essential that the stories of the museum featured reflect the tension between moments of pain and episodes of resiliency. This must not be a museum of tragedy, but a site where a nation's history is told with all its contradictions and complexity.”

“I had always believed that the [Smithsonian National Museum of African American History & Culture] should be a safe haven that helps Americans wrestle with and better understand the difficult current issues of race, justice, and equality. In essence, the museum is a bully pulpit that provides NMAAHC with the opportunity and responsibility to clarify and contextualize concerns that often divide or perplex the American public.... I think it is important for NMAAHC, for the Smithsonian, to engage in the public square in a manner that brings reason, knowledge, and contextualization to the contemporary challenges faced by America. Actions like this are not without risk to an institution that operates within a federal umbrella. Yet I believe that museums like NMAAHC have an obligation to use their expertise, their platform, to contribute to the greater good of a nation.”

“The bus here because they lost Rosa Parks's bus." "Who lost Rosa Parks's bus?" "White people. Who the fuck else? Supposedly, every February when schoolkids visit the Rosa Parks Museum, or wherever the fuck the bus is at, the bus they tell the kids is the birthplace of the civil rights movement is a phony. Just some old Birmingham city bus they found in some junkyard. That's what my sister says, anyway." "I don't know." Cuz took two deep swallows of gin. "What you mean, 'You don't know'? You think that after Rosa Parks bitch-slapped white America, some white rednecks going to go out of their way to save the original bus? That'd be like the Celtics hanging Magic Johnson's jersey in the rafters of the Boston Garden. No fucking way.”

“They were young black men, preying on other young black men. They had been informed, successfully, that they were worthless, and everyone who looked like them was equally without worth. Each sunrise brought a day without hope and each evening the sun set on a day lacking in achievement. Whites, who ruled the world, owned the air and food and jobs and schools and fair play, had refused to share with them any of life's necessities--and somewhere, deeper than their consciousness, they believed the whites were correct. They, the black youth, young lords of nothing, were born without value and would creep, like blinded moles, their lives long in the darkness, under the earth, chewing on roots, driven far from the light.”

“Turner had never met a kid like Elwood before. Sturdy was the word he returned to, even though the Tallahassee boy looked soft, conducted himself like a goody-goody, and had an irritating tendency to preach. Wore eyeglasses you wanted to grind underfoot like a butterfly. He talked like a white college boy, read books when he didn't have to, and mined them for uranium to power his own personal A-bomb. Still--sturdy.”

“They will let you have dope Because they are quite willing To drug you or kill you. They will let you have babies Because they are quite willing To pauperize you-- Or use your kids as labor boys For army, air force, or uranium mine. They will let you have alcohol To make you sodden and drunk And foolish. They will gleefully let you Kill your damn self any way you choose With liquor, drugs, or whatever.”

“I see the poets, who will write the songs of insurrection generations unborn will read or hear a century from now, words that make them wonder how we could have lived or died this way, how the descendants of slaves still fled and the descendants of slave-catchers still shot them, how we awoke every morning without the blood of the dead sweating from every pore.”

“The news of [James Baldwin's] death reached me in Trinidad around midnight. I was lecturing in the country about African-American literature and liberation, longevity and love, commitment and courage. I could not sleep. I got up and walked out of my hotel room into a night filled with stars. And I sat down in the park and talked to him. About the world. About his work. How grateful we all are that he walked on the earth, that he breathed, that he preached, that he came toward us baptizing us with his holy words. And some of us were saved because of him. Harlem man. Genius. Piercing us with his eyes and his pen. How to write of this beautiful big-eyed man who took on the country with his words? How to make anyone understand his beauty in a country that hates Blacks?”

“When I first saw [James Baldwin] on television in the early sixties, I felt immediately a kinship with this man whose anger and disappointment with America's contradictions transformed his face into a warrior's face, whose tongue transformed our massacres into triumphs. And he left behind a hundred TV deaths: scholars, writers, teachers, and journalists shipwrecked by his revivals and sermons. And the Black audiences watched and shouted amen and felt clean and conscious and chosen.”

“And you told us: the storm is rising against the privileged minority of the earth, from which there is no shelter in isolation or armament and you told us: the storm will not abate until a just distribution of the fruits of the earth enables men (and women) everywhere to live in dignity and human decency.”

“I woke to the news you were dead. The what arrived before daylight; the how was agony unfolding as I dreaded my way to dusk. Unfolding against my want not to know (but I already knew, have known since I could know): officers, arrest, Black, man, twenty, video, knee, sir, back, dollar, 8, counterfeit, hands, sorry, 46, mama, please, breathe, please! Were you tired George? I feel tired sometimes. America on my neck--my lungs compressed so much they can't expand/contract--”

“In America there’s one winning story—no adaptations. The Story imagines a noble, grand progress where we’re all united. Like truths are as self-evident as the Declaration states. Or like they would be if not for detractors like me, the ranks of Vagabonds existing to point out what’s rotten in America, Insisting her gains come at a cost, reminding her who pays, and Negating wild notions of exceptionalism—adding ugly facts to God’s-favorite-nation mythology.”

“Nine Negro boys in Alabama were on trial for their lives when I got back from Cuba and Haiti. The famous Scottsboro "rape" case was in full session. I visited those boys in the death house at Kilby Prison, and I wrote many poems about them. One of those poems was: CHRIST IN ALABAMA Christ is a Nigger, Beaten and black-- O, bare your back. Mary is His Mother-- Mammy of the South, Silence your mouth. God's His Father-- White Master above, Grant us your love. Most holy bastard Of the bleeding mouth: Nigger Christ On the cross of the South.”

“Dream of Freedom There’s a dream in the land With its back against the wall. By muddled names and strange Sometimes the dream is called. There are those who claim This dream for theirs alone— A sin for which, we know They must atone. Unless shared in common Like sunlight and like air, The dream will die for lack Of substance anywhere. The dream knows no frontier or tongue, The dream no class or race. The dream cannot be kept secure In any one locked place. This dream today embattled, With its back against the wall— To save the dream for one, It must be saved for ALL.”

“Between the tenets of those two men [W.E.B. Du Bois and Booker T. Washington], a race strived to untangle its convoluted root, urged its whole self forward, and hurtled toward the door America had fought so hard to keep closed.”

“We’d like a list of what we lost Think of those who landed in the Atlantic The sharkiest of waters Bonnetheads and thrashers Spinners and blacktips We are made of so much water Bodies of water Bodies walking upright on the mud at the bottom The mud they must call nighttime Oh there was some survival Life After life on the Atlantic—this present grief So old we see through it So thick we can touch it And Jesus said of his wound Go on, touch it I don’t have the reach I’m not qualified I can’t swim or walk or handle a hoe I can’t kill a man Or write it down A list of what we lost The history of the wound The history of the wound That somebody bought them That somebody brought them To the shore of Virginia and then Inland Into the land of cliché I’d rather know their faces Their names My love yes you Whether you pray or not If I knew your name I’d ask you to help me Imagine even a single tooth I’d ask you to write that down But there’s not enough ink I’d like to write a list of what we lost. Think of those who landed in the Atlantic, Think of life after life on the Atlantic— Sweet Jesus. A grief so thick I could touch it. And Jesus said of his wound, Go on, touch it. But I don’t have the reach. I’m not qualified. And you? How’s your reach? Are you qualified? Don’t you know the history of the wound? Here is the history of the wound: Somebody brought them. Somebody bought them. Though I know who caught them, sold them, bought them, I’d rather focus on their faces, their names.”

“Possibly twilight makes blackness dangerous Darkness. Probably all my encounters Are existential jambalaya. Which is to say, A nigga can survive. Something happened In Sanford, something happened in Ferguson And Brooklyn & Charleston, something happened In Chicago & Cleveland & Baltimore & happens Almost everywhere in this country every day. Probably someone is prey in all of our encounters. You won't admit it. The names alive are like the names In graves.”

“Glad someone shot deserved to be shot finally, George Wallace. After you send your basket of balms And berries for the girls the bomb buried in Birmingham, After you add your palms to the psalms & palm covered Caskets of the girls the bomb buried in Birmingham, I’ll muster a pinch of prayer for you. You are the blind Protagonist of a story that begins, “In my previous life My work involved returning runaway slaves to slavery,” And ends with the image of a black nurse pushing Your old ass in a wheelchair. Can you guess what black Folk passing empty cotton fields feel, George Wallace? I damn you with the opposite of that feeling. I keep thinking I’m confessing for the first time, the reason I fear you, And you keep asking why I’m telling this old story again.”

“To the Po'lice In case you are wondering the answer is yes: you have hurt us. Deeply. Just as you intended: you and those who sent you. You do know by now that you do not send yourself? I imagine your Designers sitting back in the shadows laughing as we weep. Though usually devoid of feeling, they are experiencing a sensation they almost enjoy: they get to witness, by twisted enchantment, dozens of strong black mothers weeping. They planned and nurtured your hatred and fear and focused the kill shot. Then watched you try to explain your innocence on TV. It is entertainment for them. They chuckle and drink Watching you squirm. They have tied you up in a bag of confusion from which you will never escape. It’s true you are white, but you are so fucking poor, and dumb, to boot, they say. A consideration that turns them pink with glee. (They have so many uses planned for the poor, white, and dumb: you would be amazed). You and the weeping mothers have more in common than you might think: the mothers know this. They have known you far longer than you have known them. After centuries, even those in the shadows, your masters, offer little mystery. If you could find your true courage you might risk everything to sit within a circle, surrounded by these women. Their eyes red from weeping, their throats raw. (They might strike you too, who could swear they wouldn’t?) Their sons are dead and it was you who did the deed. Scary enough. But within that enclosure Naked to their grief Is where you must center If you are ever To be freed.”

“It was wrong. It was wrong to pay the same dime yet have to walk to the back of the bus. It was wrong to have to pass a "white" school to go to a "colored" school. It was wrong to have Colored and White signs. It was wrong that Emmett Till was murdered. It was wrong that the Sixteenth Street Baptist Church was dynamited. It was wrong that Medgar Evers was shot in the back and bled to death in his own driveway. And whatever was not right could be, if not corrected, then certainly reproved by people with kinder hearts, better minds and the courage to speak out for their beliefs.”

“this country might have been a pio neer land once. but. there ain’t no mo indians blowing custer’s mind with a different image of america. this country might have needed shoot/ outs/daily/ once. but. there ain’t no mo real/white/ allamerican bad/guys. just. u & me. blk/and un/armed. this country might have been a pion eer land. once. and it still is. check out the falling gun/shells on our blk/tomorrows.”