“On stage you look much larger than you are. You can have subtle changes of timing; how you place a punchline in a joke or movement or emotion according to an audience.” LooksLinesEmotionAudienceStageMovementJokesSubtleTiming Author:Sylvester McCoy
“As minorities, it is always our dream to merge our cultures and showcase to the world the talent that comes from both Latin music and Hip-Hop, .. I hope that together,we can create a new cultural movement that unites these audiences.” WorldDreamTogetherCultureAudienceTalentMovementHip HopHipsMinoritiesHopsLatinOur DreamsShowcaseTogether We CanLatin Music Author:Emilio Estefan
“The director is simply the audience. So the terrible burden of the director is to take the place of that yawning vacuum, to be the audience and to select from what happens during the day which movement shall be a disaster and which a gala night. His job is to preside over accidents.” HappensJobsFilmNightAudienceMovementTerribleDirectorsBurdenAccidentsDisasterSelectVacuumsYawning Author:Orson Welles
“For me, I like to have explosive moments, whether it is a particular movement itself in the whole sequence. I like to have shocking moments; for audiences to feel, like, 'Whoa!' It's always been my forte.” FeelsWholeMomentsAudienceMovementParticularShockingSequenceExplosivesForte Author:Donnie Yen
“I can't really hear the audience applause when I'm on stage. I'm totally immersed in the piece. But sometimes I get a lot of it and wonder, "Now, why did they applaud here?" If it's a white crowd, they usually applaud because they think it's a pretty movement. If it's a black crowd, it's usually because they identify with the message.” IfsThinkingI CanSometimesBlackWhiteWonderAudiencePiecesStageMovementMessagesDanceCrowdsApplause Author:Judith Jamison
“I really want the audience to place close attention to the movement, possibilities of movement, possibilities of trespassing boundaries and observe what's possible in different social settings, and different settings of class designation as well.” WantWellsDifferentSocialAttentionClassAudienceMovementPossibilityBoundariesSettingSettingsDesignationTrespassing Author:Todd Haynes