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Century Quotes

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Century Quotes

“It is quite likely ... that the central figure of the gospels is not based on any historical individual. Put simply, not only is the theological "Christ of faith" a synthetic construct of theologians, a symbolic "Uncle Sam" figure, but if you could travel ... back to First-Century Nazareth, you would not find a Jesus living there.”

“For nearly two centuries, scholars and politicians have debated the future of capitalism. Its critics, most prominent among them Karl Marx, have seen capitalism as intrinsically unstable, full of contradictions that will lead eventually to its collapse. Its supporters see it as the best way to allocate resources and rewards. Some even hint that the democratic capitalistic society is not just a phase in the historical evolution of economic systems but its ultimate end.”

“I don't try to take a person out of our world and put them into my world; that wouldn't work. It's sort of like bad Photoshop: If you see something Photoshopped together - and even if it's done pretty well - the eye catches on it. That happens a lot when people try to cut and paste people from our world into their fourteenth-century historical romance novel.”

“Humanism is an overemphasis on human worth and ability, leading man to glorify himself instead of God...While its historical forms may vary, humanism inevitably leads people away from God and spiritual concerns. It promotes the false idea that man is good and that he is superior to God. Secular Humanism of the twentieth century altogether rejects belief in God and worships man as God. The pride of humanism will not go unpunished.”

“Where psychedelics comes together with that is that it's going to require a transformation of human language and understanding to stop the momentum of the historical process, to halt nuclear proliferation, germ warfare, infantile 19th century politics, all these things. It cannot be accomplished through a frontal assault upon it by political means.”

“It's really the story of a young woman, or two women, growing up in Naples in a poor neighborhood. The way that they get out of it - or don't get out of it - that's part of it. But it's also the story of the mid-20th century in Italy so it's really like a social, historical and personal novel. I think that even though I didn't live in Italy in those years, it did cover that same type of generational upbringing that someone like me might've had in America.”