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Communicate Quotes

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Communicate Quotes

“Women face a lot of challenges every day - we have to stand firm in our walk and our intentions - but there are times when that weight feels too heavy, feels like a load that I just can't bear that day. I try to work through that in my art, whatever medium that might be. My live performance is based around the color red, and all the things that communicates as a woman to the world - fiery, really vocal, present, almost a kind of stubborn color - and redefining it as being very complex. Being able to express that complexity, I'm getting a lot better at that the older I've gotten.”

“I try to be after something that is deeply reverberating inside of our souls, some deep echo from - even from prehistory. What makes us humans? How do we communicate? Where are we going at this moment? Something for an audience where they can step outside of themselves, where they can be almost like in ecstasy of truth, some sort of deep illumination. And that's what I'm trying in documentaries and in feature films.”

“Having people around you that are honest with you, and having a team around you that can actually track and communicate where things are working and where they're not working, is really an invaluable asset to an artist's career. I just see it time and again, people who have no clue about that stuff. It's frustrating, and I see the frustration for them. It's a weird thing being an artist, trying to navigate the music business with little to no help.”

“Neural science, which is the study of the brain, tells us that we have up to one billion brain cells with thousands of branches that communicate with each other much like a complex highway system. The more we attend to something, or the more we engage in certain behaviors, the more those particular cells communicate and the pathways between them deepen. This is how our values, our beliefs, and our motivations are actually formed.”

“I think for us, we don't feel like the future of music is in the act of being a record company. We feel like the future of the music business is in empowering artists to have better and better tools to communicate with their fans. We want to be people who are saying to artists, "Look, you don't need that company over there to release your album. You can do it this way." Almost more of a band partnership than a label-artist relationship. Not about ownership of content, but about empowerment.”

“The weirdest thing with friends, the way you measure it is if you go without communicating for months at a time, you can sit down and within five seconds be right where you were. I know it's a cliché, but quality not quantity, and that bond will not disintegrate. It does need to be tended to but it won't go away. It's amazing, though - I'm here in New York where my best friend from college lives, and we see each other twice a year and we're right where we were and a lot of it's unspoken.”

“An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.”

“Once you go on stage you're essentially creating the world that people want to participate in. The worst thing you can do is go out on stage with the idea that you're going to communicate something you've learned and if you do it really well, they'll approve. If you go out in an approval process, you will be so nervous and so preoccupied you'll never get to the heart of what it is you want to make music with.”

“Everybody's version of style is totally different and that's what I think keeps me going out on the street everyday is going out and kind of seeing the variations and what things maybe I'd never seen quite that way that I find very curious and how people will be able to communicate their own persona through their clothing, their posture, the way they wear their hair. I think all those elements end up becoming very interesting because I don't think I'm really particularly a people person. So for me I think it's interesting to kind of be able to read people in that way.”

“Much of the point of individual action is really to communicate with other people and with political leaders and to demonstrate to them that we are willing to live lives which are less dependent on fossil fuels and we'll show you that now by changing our individual life to some extent but we want you to take action, political leaders, so that we aren't living in a society in which we're dependent on poisoning the future in order to maintain present lifestyles.”

“I see a lot of individual action when it comes to environmental questions really as a form of politics as a way of communicating with political leaders, much in the same way that acts of civil disobedience during the civil rights' movement were really acts of political communication, trying to get laws changed rather than based on the thought that the individual action would really change the practices of segregation.”

“Don't get me wrong, Carter Smith is an insanely talented photographer, but as a director he approached it more from a story standpoint. He definitely had an interest in communicating the text and the characters first, and he allowed his cinematographer Darren Lew to really find the visuals - of course, he worked with him throughout the entire Jamie Marks Is Dead movie, it was a collaborative effort. While the movie is very visually beautiful, in my opinion, very visually striking, Carter was definitely approaching it from a performance standpoint first.”

“I just like voicing films in general. I do a lot of documentary work and it's a short hop really to narrating a character, especially if you're on film and you're there in a visual way. It sounds obvious, but voicing an animation really focuses you on the way that you're communicating through your voice. It's a very specific ability that you need to be able to have in order to pitch it just right.”

“The ways in which management can express appreciation for an employee's contribution are without end; the key is to act in ways that communicate Thanks! That was a great job! We can really count on you! It's great having you here! While some people love having plaques to hang on their personal Wall of Fame and they adore being acknowledged at a formal Recognition Banquet and some people are only interested in money, I find the most effective forms of recognition are personal and either spontaneous or very close in time to a significant accomplishment.”

“If you look at items of clothing like denim or polo shirts, they came from someone else's idea and everyone now makes them, but even so, I sometimes want to buy into the newer thing because it looks good or whatever. I mean, I copy many things - almost everything I do could be called a copy in some way. But I copy with a certain respect. I have a high regard for the original, and so I want to put my twist onto that. It's just like sampling music - when it's done well, the new work communicates a respect for the original source material.”

“I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or piece of sculpture, or even a piece of industrial manufactured object. A piece of engineering can be quite beautiful, too, or a photomicrograph, or a cosmic photograph. We're physical beings and why deny that. So in that sense, it's very sensual to have an object that has the power to communicate some emotion or a state or give you some sense.”

“I actually am locked away. I think I have 4.6 million Instagram followers, which is obviously a great way to communicate my work and my life. But it's also a form of protection, because I don't want everybody to see my process. What I want to share in the pictures I post is something dreamier than reality. I love solitude. I love escaping into my mind and sketching. Sometimes I travel alone. I'm the first one at the office in the morning, the last one closing the door. People don't expect that, because on Instagram I have a reputation as a party boy who takes selfies all day.”

“I was 19 years when I got into acting training classes at a TV station and then I found a way to express my feelings. My father left us when I was a kid and I just shut down all of my emotions. I wasn't talkative; I didn't know how to communicate with people. I tried to separate from people. After I got into the classes I found a way of expressing myself through characters. I can cry behind a character, I can shout behind a character and it became a relief. And it's fun.”

“The artists catch what's in the air. It's not because the artist "felt like it" or is a guru who channels the truth of the universe in some opaque, abstract way, or even in a realistic painting. The comics artist is someone who has the humility to set himself up in public culture and to communicate with the reader. If your image doesn't make sense, it's your problem, and I shouldn't publish it.”

“Social media has totally transformed the way we communicate with each other and the way we provide for needs as we see them. I've always believed that if somebody looks good, they invariably are going to feel good. And it's self-fulfilling, because you'll just relax, you'll smile, you'll think you own the world. But if you also do good, you'll feel even better. So my goal is to make what we do meaningful in as many people's lives as we can.”

“The decision-makers should communicate the customer pictures and the logic of the strategies and actions. That communication allows employees throughout the organization to implement the strategies and actions, tweaking them appropriately in response to variations in the marketplace. It also allows employees to recognize information in the marketplace that contradicts the customer pictures, either because the pictures were not entirely correct or because customers have changed.”

“From my perspective, we actually have to have a stronger, bolder economic message that's not just for white working-class voters, but for people who don't go to college who are white, black, Latino, or wherever. We have to communicate that we care about Detroit and Appalachia, and people suffering in both are problems for the country and a problem for the Democratic Party, not just one or just the other.”

“I do think that it is impossible for us to think only in terms of the Palestinian-Israeli conflict and not think in terms of what's happening with Syria or Iran or Lebanon or Afghanistan and Pakistan. These things are interrelated. And if we are looking at the region as a whole and communicating a message to the Arab world and the Muslim world, that we are ready to initiate a new partnership based on mutual respect and mutual interest, then I think that we can make significant progress.”

“My job is to communicate to the American people that the Muslim world is filled with extraordinary people who simply want to live their lives and see their children live better lives. My job to the Muslim world is to communicate that the Americans are not your enemy. We sometimes make mistakes. But if you look at the track record America was not born as a colonial power, and that the same respect and partnership that America had with the Muslim world as recently as 20 or 30 years ago, there's no reason why we can't restore that. And that I think is going to be an important task.”