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Directors Quotes

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Directors Quotes

“When auditioning, I try to imagine that I'm the only person that they [directors] are seeing that day because it can be overwhelming, in the same sense that it could be overwhelming if you try to fulfil everyone's expectations rather than the people closest to you in the creative process, be it your director, or fellow actors and the writers. So, that's kind of it - I try to trick myself into believing that no one has ever gone there before.”

“We are a nation that has always gone in for the loud laugh, the wow, the yak, the belly laugh, and the dozen other labels for the roll- em-in-the-aisles gagerissimo. This is the kind of laugh that delights actors, directors, and producers, but dismays writers of comedy because it is the laugh that often dies in the lobby. The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.”

“I don't recall a show I've ever been on that had the same director do two episodes in a row, but in England, they do it all the time. In England, they'll just have one director for eight episodes. That was the British system that Jane Tranter and Julie Gardner wanted to bring to the States. I think there was a nice merger of the two systems. They might have gone with one director, but John had obligations on The Village, and he had to leave and come back, so it seemed like a natural place to break it up.”

“It's a weird partnership. For me and Patrick, if you've met him, we're not very much alike. But we bring such different tools to the table. He doesn't think like me. I don't think like him. He thinks like an editor. He thinks like a director. He thinks completely outside of the box when it comes to writing and so because of that he leads me down roads that I would've never gone down. And he sucks at grammar. So together we're perfect.”

“If you look at what Ben Affleck has gone on to do, as an actor and as a director, it's extraordinary. But if you look back at his career, I don't think it's surprising. From Good Will Hunting on down, the guy is a monster talent, and I think talent wins out, in the end. There's always the ebb and flow of any career, but I think talent wins out, in the end.”

“I don't think Roger Ebert has ever mentioned a screenplay. He assigns every auctorial move to the director, which makes some sense since the director has run a one-off game, but if Hamlet were written last year and had been only performed once as a film, and it didn't come off well on screen for whatever reason, it would be gone forever as a literary work, and never would have been considered as one.”