“By the first week of shooting, you know exactly where your film is heading based on the psychology of your director.” KnowsFirstsFilmPsychologyWeekDirectorsShootingHeadings Author:Jodie Foster
“I don't know what it is, exactly, but there's a negative drag on film sets after the second week or so, a mutinous vibe because the infinite capacities of the directors and everybody else become quite finite and everybody's under the gun and it becomes work.” KnowsFilmWeekDirectorsGunCapacityNegativeInfiniteDragFiniteFilm Set Author:Diane Lane
“With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.” IfsThinkingKnowsFeelsKindLittlesIdeasCoursesActorsBitsAbilityActingKnow HowWeekFrontsDramaDirectorsSixLittle BitBuiltCamerasGood IdeasClue Author:Paddy Considine
“It came from my mother. She was a singer, and literally every day of the week she sang at a different club in a different genre of music: country, R&B clubs, jazz clubs, church on Sunday morning where she was the music director, pop hits, soft rock. I grew up listening to all this music, so it was never one thing for me.” DifferentCountryMotherChurchMorningOne ThingWeekRocksListeningGrewDirectorsGrew UpJazzClubsPopsSingersGenreSundaySunday MorningDifferent GenresDays Of The WeekGenres Of MusicChurch On SundayDifferent Genres Of Music Author:Robert Glasper
“I don't want to rescind American directors but I think that European directors in general, because of the size of the nations in Europe are exposed to all different cultures, they can easily travel from one distinct culture to another in a matter of hours - you can drive for two weeks across the United States and you're in the same basic culture - so there is a certain breadth of understanding and sophistication that they bring to it and frankly, in some cases they are less expensive than American directors.” ThinkingWantTwoDifferentMatterStatesCertainCultureNationsUnderstandingHoursUnitedCasesUnited StatesWeekDirectorsEuropeSizeExpensiveExposedTwo WeeksSophisticationBreadthDifferent Cultures Author:Wes Craven
“It might sound crazy, but filming in a conflict zone, in Afghanistan, and being a female filmmaker was the easy part. I found people open and understanding of the importance and beauty of filmic storytelling. I never had to explain why Jake Bryant, my Director of Photography, and I were climbing up a ladder to get a high shot, or running ahead to get an arrival shot, or filming weeks after weeks, months after months, collecting so much material. The process was respected and honored.” PeopleMightRunningFoundEasyProcessUnderstandingSoundWeekCrazyMaterialsMonthsDirectorsConflictPhotographyShotsFemaleImportanceStorytellingFilmmakerZoneClimbingAfghanistanHonoredLaddersCollectingArrivalsJakeClimbing Up Author:Pietra Brettkelly
“The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director.” PeopleThinkingNeedsWritingFirstsKindEndsStoriesFilmNextAsksDifferencesAudienceWeekTelevisionTvsReturnDirectorsNext Week Author:Jason Reitman
“That and when you're doing live action you don't normally get to see the thing before it's in production. In this case we'd go in every couple weeks and look at animatic and sketches. The way they do it - is they'll put it up on a screen and the storyboard artist who worked on that sequence will talk you through it. Kind of like a pitch session. Then they would leave and we would sit there with the directors and say 'Alright - what if we change that? What if we do that?' It's very different from live action.” IfsWayLooksKindDifferentActionArtistCasesWeekCoupleDirectorsProductionsScreensWhat IfSequenceSessionAlright Author:Jonathan M. Goldstein
“On a lot of shows that I've done, we had the same directors, which was cool. But then, it's also great to do shows where the director changes every week because you get to see all these different personalities and see what you like dealing with better, as an actor. But, Jodie was amazing.” DifferentDoneShowsActorsWeekPersonalityDirectors Author:Laura Prepon
“Unless you're a directing producer of a television show, for the most part, the director comes in one week to direct and episode, and then leaves. I'd much rather produce television and occasionally direct an episode of a show I'm producing, then just come in as an outside director.” ShowsWeekProduceTelevisionDirectorsDirectProducersEpisodesTelevision Shows Author:Eric Balfour
“Hours is an understatement. I honestly don't know how the director and editor decide each week what actually makes it on the air. There's of course director and cast commentary on each episode on the DVD. We had a blast recording that.” KnowsCoursesHoursKnow HowAirWeekDirectorsCastsHonestlyEditorsEpisodesBlastCommentaryDvdsUnderstatement Author:Joel McHale