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Edgar Allan Poe Quotes

Browse 29 quotes about Edgar Allan Poe.

Edgar Allan Poe Quotes

“While I knew him, he made me see--Poe did; made me understand that, unlike a bodily organ, the soul desires, even wills, its own continuance.It can be said to be the seat of will and desire and, even in its necrotic state, the root of evil. ... A Sunday school lesson or one of Cotton Mather's gaudy rants that helped to kindle the Salem bonfires is nearer to the truth of it than a fable by Poe, Hawthorne, or Melville. Evil's a malignancy beyond the skill and scalpel of {doctors} to heal or extirpate.”

EvilEdgar Allan PoeThomas MoranAmerican MeteorCotton Mather
Book:The Port-Wine Stain
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“From the dim regions beyond the mountains at the upper end of our encircled domain, there crept out a narrow and deep river, brighter than all save the eyes of Eleonora; and, winding stealthily about in mazy courses, it passed away, at length, through a shadowy gorge, among hills still dimmer than those whence it had issued. We called it the "River of Silence"; for there seemed to be a hushing influence in its flow. No murmur arose from its bed, and so gently it wandered along, that the pearly pebbles upon which we loved to gaze, far down within its bosom, stirred not at all, but lay in a motionless content, each in its own old station, shining on gloriously forever.”

LoveSilenceShort StoryRiverEdgar Allan PoeEleonora
Book:Eleonora
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“To Helen I saw thee once-once only-years ago; I must not say how many-but not many. It was a july midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light Thier odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses And on thine own, upturn'd-alas, in sorrow! Was it not Fate that, on this july midnight- Was it not Fate (whose name is also sorrow) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred; the hated world all slept, Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!) Save only thee and me. I paused- I looked- And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out; The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes. I saw but them- they were the world to me. I saw but them- saw only them for hours- Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a woe! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition!yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go- they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me- they lead me through the years. They are my ministers- yet I thier slave Thier office is to illumine and enkindle- My duty, to be saved by thier bright light, And purified in thier electric fire, And sanctified in thier Elysian fire. They fill my soul with Beauty (which is Hope), And are far up in heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!”

RomancePoetryClassic LiteratureEdgar Allan Poe
Author:Edgar Allen Poe
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“Hi, my name is Marcos, I am a naturalized urban writer of Argentine nationality. I have bad news for you! Amazon removed my works from the platform because I promoted my new books on other platforms and not with them, but it doesn't matter, despite not having received a cent from them for two years, I have good news! I have 150 works available on my fandom page: novels and stories of horror, mystery, suspense, science fiction, romance, poems and thoughts, stories for children and critical political thinking. I thank everyone and you can visit me.”

StoriesRomanceNovelMysteryScience FictionSuspensePoemsEdgar Allan Poe
Author:Marcos Orowitz
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“Twas noontide of summer, And mid-time of night; And stars, in their orbits, Shone pale, thro' the light Of the brighter, cold moon, 'Mid planets her slaves, Herself in the Heavens, Her beam on the waves. I gazed awhile On her cold smile; Too cold–too cold for me- There pass'd, as a shroud, A fleecy cloud, And I turned away to thee, Proud Evening Star, In thy glory afar, And dearer thy beam shall be; For joy to my heart Is the proud part Thou bearest in Heaven at night, And more I admire Thy distant fire, Than that colder, lowly light.”

PoetryStarsPoemsAmerican LiteratureEdgar Allan Poe
Book:The Complete Poetry
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“I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!”

PoetryHelenEdgar Allan PoeWhitman
Book:The Raven and Other Poems
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“Ligeia, Annabel Lee, and Berenice, Supernal beauties, pleasing to the eye, Were temporary mates and marble-cheeked Like timeless funerary monuments. Tremaine’s Rowena, Lady Madeline, Insidiously felled and pushed offstage, Had met goth’s Mister Goodbar on the page. First, females got top billed — — then burying. What makes an author kill his heroines? [Source: "Poe and His Women" a poem by LindaAnn LoSchiavo; first published by Bewildering Stories Magazine, 2019]”

WomenPoemWriting LifeHeroinesEdgar Allan Poe
Book:A Route Obscure and Lonely
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“Deep in the collective psyche, religious sectors, beset by morality and tormented by their own inner shadows, issue a silent plea to the great system that rules our lives. They desperately seek to avoid the incandescent glare of truth, fearing that its revealing light will free them from the chains they themselves have forged. Thus they remain in a state of denial. Thus they live, clinging like sows to the gestation of their perversities, as if in that fertile soil they would find the seed of their salvation."--From the book The Devil's Writer”

LoveLifeRomanceFreedomIntentionThoughtPoemsEdgar Allan Poe
Book:Talent for Horror: Homage to Edgard Allan Poe
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“I would here observe that very much of what is rejected as evidence by a court, is the best of evidence to the intellect. For the court, guiding itself by the general principles of evidence- the recognized and booked principles- is averse from swerving at particular instances. And this steadfast adherence to principle, with rigorous disregard of the conflicting exception, is a sure mode of attaining the maximum of attainable truth, in any long sequence of time. The practice, in mass, is therefore philosophical; but it is not the less certain that it engenders vast individual error ("A theory based on the qualities of an object, will prevent its being unfolded according to its objects; and he who arranges topics in reference to their causes, will cease to value them according to their results. Thus the jurisprudence of every nation will show that, when law becomes a science and a system, it ceases to be justice. The errors into which a blind devotion to principles of classification has led the common law, will be seen by observing how often the legislature has been obliged to come forward to restore the equity its scheme had lost."- Landor.)”

JusticeHuman ErrorEdgar Allan PoeThe Mystery Of Marie Roget
Book:The Mystery of Marie Rogêt
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“I would like that very much. You have a bargain, lady. I will find you here among the lost souls, trapped women, and birds. I find that my own state has improved, if only slightly. Where I was once likely to travel in the presence of a murder of crows, I find I will only be burdened by an unkindness of ravens. It gives me heart." - A. E. Poe in Nevermore”

CrowsRavenEdgar Allan PoeLenore
Book:Nevermore - A Novel of Love, Loss, & Edgar Allan Poe
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“Why is a raven like a writing desk?" she prompted. "I don't know, why?" he asked gamely. "No- you asked me that, last time. I never figured out the answer myself. But I asked everyone when I woke up- er, came back to Angleland, and even read a great many books on puzzles and riddles to try and solve it. So now I have several answers. So tell me which one is right!" She began counting on her fingers. "One: because they both have quills dipped in ink." Her audience just looked at her gravely. Alice hurried on to the next. "Two: the American author, Mr. Edgar Allan Poe, wrote on both." The Dodo and the Gryphon looked at each other and shrugged helplessly. "And three- my friend Charles came up with this- because each can produce a few notes, tho' they are very flat!”

RiddleAliceRavenEdgar Allan PoeIn CommonWriting Desk
Book:Unbirthday
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“A thought expressed is a falsehood." In poetry what is not said and yet gleams through the beauty of the symbol, works more powerfully on the heart than that which is expressed in words. Symbolism makes the very style, the very artistic substance of poetry inspired, transparent, illuminated throughout like the delicate walls of an alabaster amphora in which a flame is ignited. Characters can also serve as symbols. Sancho Panza and Faust, Don Quixote and Hamlet, Don Juan and Falstaff, according to the words of Goethe, are "schwankende Gestalten." Apparitions which haunt mankind, sometimes repeatedly from age to age, accompany mankind from generation to generation. It is impossible to communicate in any words whatsoever the idea of such symbolic characters, for words only define and restrict thought, but symbols express the unrestricted aspect of truth. Moreover we cannot be satisfied with a vulgar, photographic exactness of experimental photoqraphv. We demand and have premonition of, according to the allusions of Flaubert, Maupassant, Turgenev, Ibsen, new and as yet undisclosed worlds of impressionability. This thirst for the unexperienced, in pursuit of elusive nuances, of the dark and unconscious in our sensibility, is the characteristic feature of the coming ideal poetry. Earlier Baudelaire and Edgar Allan Poe said that the beautiful must somewhat amaze, must seem unexpected and extraordinary. French critics more or less successfully named this feature - impressionism. Such are the three major elements of the new art: a mystical content, symbols, and the expansion of artistic impressionability. No positivistic conclusions, no utilitarian computation, but only a creative faith in something infinite and immortal can ignite the soul of man, create heroes, martyrs and prophets... People have need of faith, they need inspiration, they crave a holy madness in their heroes and martyrs. ("On The Reasons For The Decline And On The New Tendencies In Contemporary Literature")”

DecadenceDon JuanHamletImpressionismFaustBaudelaireGoetheIbsenDon QuixoteEdgar Allan PoeFalstaffDecadentsSymbolistMaupassantTurgenevFlaubertSancho Panza
Book:Silver Age of Russian Culture
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“Forgive me,' Poe repeated earnestly. I nodded coldly. I was not above acting like a child; I was hardly more than one. 'I want you to have this,' he said, fishing a gold watch and chain from his pocket. He took a step toward me. I stood my ground. He closed the distance between us, the timepiece in his hand. 'It belonged to my father, David Poe--not John Allan, who fostered me but would not adopt me. My real father was David Poe, Jr., the actor. It's said that he abandoned my mother and me. It's a lie. He died--too young: He was only twenty-seven.' I accepted his gift. It felt substantial in my hand. In spite of myself, I was pleased to have it.”

MaterialismMaking UpEdgar Allan Poe
Book:The Port-Wine Stain
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“The Poe Toaster by Stewart Stafford They call me The Poe Toaster, A sixty-year mourner, no boaster, With roses and cognac, I paid homage, To gothic Quarles’ eternal foggage. Some call me ghoul, stalker, graver, Obsessed fan, tombstone trader, Let him sleep unbroken, still his ghost, Tomahawk, overdue a tribute toast. Three roses; in-law, Eddy and wife, Cognac, exorbitant luxury in life, Relax, for I was kind, my friend, Pouring amontillado until the end. Why I stopped, if I'm woman or man, Are mysteries for C. Auguste Dupin, Shipwrecked on Night’s Plutonian shore, Allied with the silken darkness of yore. © Stewart Stafford, 2023. All rights reserved.”

MysteryGothicHomageGraveEdgar Allan PoeMournersEdgar Allen PoeEdgar Allan Poe QuotesEdgar Allan Poe PoemThe Poe Toaster
Author:Stewart Stafford
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“The mental features discoursed of as the analytical, are, in themselves, but little susceptible of analysis. We appreciate them only in their effects. We know of them, among other things, that they are always to their possessor, when inordinately possessed, a source of the liveliest enjoyment. As the strong man exults in his physical ability, delighting in such exercises as call his muscles into action, so glories the analyst in that moral activity which disentangles. He derives pleasure from even the most trivial occupations bringing his talents into play. He is fond of enigmas, of conundrums, of hieroglyphics; exhibiting in his solutions of each a degree of acumen which appears to the ordinary apprehension preternatural. His results, brought about by the very soul and essence of method, have, in truth, the whole air of intuition.”

AnalysisEdgar Allan PoeThe Murders In The Rue Morgue
Book:The Murders in the Rue Morgue
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