“Sensibility... is a direct and particular reaction to the separate and individual nature of things. It begins and ends with the sensuous apprehension of colour, texture and formal relations; and if we strive to organize these elements, it is not with the idea of increasing the knowledge of the mind, but rather in order to intensify the pleasure of the senses.” IfsMindIdeasEndsOrderIndividualPleasureParticularElementsDirectRelationStriveSensesReactionsColourSensibilityOrganizeFormalTextureApprehensionSensuous Book:Selected writings: poetry and criticism Source: Selected writings: poetry and criticism
“I want my street to be crazy, I want my avenues, shops and buildings, to enter into a crazy dance, and this is why I deform and distort their outlines and colours. However I always come up against the same difficulty, that if all the elements were one by one deformed and distorted excessively, if in the end nothing remained of their real outlines, I would have totally effaced the location that I intended to suggest, that I wished to transform.” IfsWantRealEndsCrazyStreetsBuildingElementsDifficultyCome UpColourShopsLocationAvenuesOutlinesBeing Crazy Author:Jean Dubuffet
“3D is great, but I just think of it as another tool, like colour or music or sound. It has the potential to add another emotional layer to certain things if you use it right. But it's not the saviour [of the movies], the be all and end all, the reason to do something.” IfsThinkingEndsReasonUseCertainSoundEmotionalToolsAddColourLayersSaviour Author:Tim Burton
“It was then that I remembered the colour blue, the blue of the sky in nice that was at the origin of my career as monochromist. I started work towards the end of 1956 and in 1957 I had an exhibition in Milan which consisted entirely of what I dared to call my 'Epoque bleue'.” EndsCareersNiceSkyBlueRememberedColourExhibitionsMilan Author:Yves Klein
“[Vathek] has, in parts, been called, but to some judgments, never is, dull: it is certainly in parts, grotesque, extravagant and even nasty. But Beckford could plead sufficient "local colour" for it, and a contrast, again almost Shakespearean, between the flickering farce atrocities of the beginning and the sombre magnificence of the end. Beckford's claims, in fact, rest on the half-score or even half-dozen pages towards the end: but these pages are hard to parallel in the later literature of prose fiction.” EndsHardFactsLiteratureHalfFictionJudgmentPagesClaimsLocalsSufficientColourDullProseScoreDozenContrastNastyParallelsAtrocitiesExtravagantGrotesqueMagnificenceFarce Author:William Thomas Beckford