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“Nashville has always felt perfect. I don't think Third Man Records could exist in any other town that I know of in America. Anything smaller or larger than the size of Nashville, and also the music - the attention that's paid to music in that town is sort of the right kind. It's not too hipster and it's not too fake; it's something in the middle, which is really good ground for a place like Third Man Records, that aims to be genre-less. It's great to be able to have that kind of access.”

“I understood that there would be some backlash, and that scared me, honestly. But deep down, I felt like it was the right thing to do. And if I was to run away from what I felt in my soul was the right thing to do, that would make me a coward. I can’t live with that. God wouldn’t be able to put me where I am today, and as far as I’ve come in life, if I was a coward.”

“Getting ahead in a difficult profession - singing, acting, writing, whatever requires avid faith in yourself. You must be able to sustain yourself against staggering blows and unfair reversals. When I think back to those first couple of years in Rome, those endless rejections, without a glimmer of encouragement from anyone, all those failed screen tests, and yet I never let my desire slide away from me, my belief in myself and what I felt I could achieve.”

“As the mental endowment of a man varies with the organisation of his accumulated experiences, the better endowed he is, the more readily will he be able to remember his whole past, everything that he has ever thought or heard, seen or done, perceived or felt, the more completely in fact will he be able to reproduce his whole life. Universal remembrance of all its experiences, therefore, is the surest, most general, and most easily proved mark of a genius.”

“Opinion in all parts of the world would agree that Rachmaninoff is the most complete of living masters of the instrument; his technique is comprehensive, and he is, of course, musical to his bone's marrow. Most important of all, he is a composer, and for this reason he is able to approach a work as none of his pianist contemporaries can approach one - that is, from the inside, as an organic and felt creative process.”

“When I finished the juniors I felt, perhaps for about a year and a half, that everything was going to be the same and that I would be able to go out there and win any match. But it wasn't the case. I struggled. It took me time to adjust and to realise it was not going to happen like it did in the juniors. It was three years between the junior ranks and reaching the Australian Open, and even then, having reached the final against Hingis, I wasn't really realising what it would take to go higher.”

“This was one of the greatest test of his faith he had ever experienced. The thought of deceiving the kind and faithful wife of his youth... was more than he felt able to bear.... his sorrow and misery were increased by the thought of my mother hearing it from some other source, which would no doubt separate them, and he shrank from the thought of such a thing, or of causing her any unhappiness.”

“I have that need in me, I want everyone to love me, but I'm embarrassed by that need, so I wanted to cover it up in my persona. I felt like I wouldn't be able to do stand-up for a career if I was needy. I didn't want to be complaining or whining onstage. I wanted to be cool and do exactly what I wanted to do. That way I would never have to change for anybody.”

“Somehow I felt that if Fox Talbot had had more time and more drawing talent, he would have filled in the interval between his two drawings and made a complete panorama. Now, 163 years later, I was able to use his great invention to elaborate on his youthful dream of capturing and fixing the fleeting image. In doing so, I may also have added another little bit to the soul of this extraordinary place.”

“A single word indicative of doubt, that any thing, or every thing, in that country is not the very best in the world, produces an effect which must be seen and felt to be understood. If the citizens of the United States were indeed the devoted patriots they call themselves, they would surely not thus encrust themselves in the hard, dry, stubborn persuasion, that they are the first and best of the human race, that nothing is to be learnt, but what they are able to teach, and that nothing is worth having, which they do not possess.”

“The [character] that I was able to crawl into the most was Lilo from Lilo & Stitch. This was sort of a cartoony-looking girl, but her problems were completely real. Her funky world that she createdI mean, you know kids like that. It was very honest and genuine and I wanted to do an honest job, so I thought about the character a lot before I animated it. I really got into the character, where [I] almost felt that pain that she had. The loss of the parents - you need to feel all that. That was a big learning experience for me.”

“Whatever success I have achieved, whatever positions of leadership I have held have depended less on Ivy League degrees or SAT scores or GPAs and have instead been due to that sense of connection and empathy, the special obligation I felt as a black man like you to help those who need it most, people who didn't have the opportunities that I had because there, but for the grace of God go I. I might have been in their shoes. I might have been in prison. I might have been unemployed. I might not have been able to support a family. And that motivates me.”

“People are funny -- they are able to project personality onto anything. I remember as a kid I spent a $ 5 bill once and felt so bad because the other $ 5 bill was now going to be lonely without all the other bills I had in my wallet, you just invest these dead things with life and that is our tendency as people. So animation takes advantage of that, grabs on to it, and runs with it.”

“I felt comfortable in the water. I was in my own world, focused. I love sports and I'm a very goal-oriented person. Once I started falling in love with sports, it was easy. I was able to put my mind on something and go for it. That's how I am with everything, it doesn't matter what it is that I do. If I want to do something, nothing will stand in my way.”

“I think it's probably true that creative people are touched by melancholy more than the average person, and to the extent that delving into that shadow world produces good work, I'm all for it. But I think you have to be able to step back from the work, and say, "Look how miserable I felt. Look how beautifully I wrote about it. Now I'm going to get an iced coffee and chat with a friend." Writing should be a way out of despair.”

“I have never been able to think of the day as one of mourning; I have never quite been able to feel that half-masted flags were appropriate on Decoration Day. I have rather felt that the flag should be at the peak, because those whose dying we commemorate rejoiced in seeing it where their valor placed it. We honor them in a joyous, thankful, triumphant commemoration of what they did.”

“I myself, for instance, am not especially gifted, and am shy by nature, but my gracious and merciful God and Father inclined Himself to me, and when I was weak in faith He strengthened me while I was still young. He taught me in my helplessness to rest on Him, and to pray even about little things in which another might have felt able to help himself.”

“I guess it really didn't even dawn on me that you could be a rock critic as a job until I was maybe almost out of college. I knew criticism existed. I read Rolling Stone and Spin. Siskel and Ebert were on television. But I had absolutely no idea how to get that kind of life. And moreover, it didn't interest me that much. I just sort of read normal books growing up. I wasn't that media-conscious. I felt like the one thing I was able to do was to listen to a record and decide whether I liked it.”