Quotessence
Home / Topics / Female Protagonist Quotes

Female Protagonist Quotes

Browse 147 quotes about Female Protagonist.

Female Protagonist Quotes

“I thought of my mom, sitting on the sofa on a rainy Saturday afternoon, watching cable reruns of her favorite Little House on the Prairie series. Sometimes she'd cry. She would hold onto a tissue, and she would sob as she sat there on the couch. I asked her once why she was crying. She told me it was because the show made her happy.”

“He held out his hand to Calliope with her hands on the shoulders of the hooded figure. They stepped forward, and when Cali nudged her up onto the dais, the figure hesitated, but then lifted the hood. Her gaunt face and deep black hair shaded haunted black eyes. A nasty sibilance went through the crowd. “Everyone,” Doc said, “this is Bianca. Bianca, meet New Village.” As Rossi stared--as everyone stared--mouths wide open, Bianca took off her cloak. Her skin on her face, arms and legs was not only pale but gray, with scars that were ash-colored. Her eyes weren’t ringed with mats of goo like the man and animals they had burned before. However, those near the front could see, as her eyes flicked from one side of the amphitheater to the other, a thin line of cruddy black residue lined her eyelids and lashes like a gritty mascara. She was tainted.”

“Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.”

“A woman with nothing to lose is merely dangerous; a woman with everything to protect is a reckoning." Maria Monday, Symphony of Lies "MOST INHERIT WEALTH. SOME INHERIT SECRETS WORTH KILLING FOR." Maria Monday, Symphony of Lies "For some, gazing into the abyss fosters strength, while others are consumed by it." Maria Monday, Symphony of Lies” Maria Monday, Symphony Of Lies: A Psychological Thriller of Power, Deception, and Deadly Secrets”

“How dare a person tell a woman, how to dress, how to talk, how to behave! Any being who does that, is no human.”

“Via the power of the swamplands I cast a double-decker Gris-Gris on my pirogue, to give Ol’ Alfonse a VERY, Very Nasty bellyache.” “Hey now Cricket,” How-Ya-Do scolded, “you better watch-out playing around with them Voodoo spells.” “Says who,” Cricket countered combatively. “You know you ain’t supposed to Conja no Gris-Gris. You be just “a little Cajun-girl,” not a Voodoo Priestess, like Madame Teche” How-Ya-Do reminded her, “what are you gonna do if that Gris-Gris bounces off of a tree `n whammies somebody-else by mistake?”

“Yes, Lilian Earton was a large woman. She was fat. There was no other word for it. But at the same time, there was something indefinable about her. Was it an inner light? A sparkle in her eyes? The way she spoke and moved and made things move around her? The man couldn’t have said exactly. He didn’t know the word “charisma,” but that was exactly what she had. She had personality that no layers of fat could hide. She was impressive.”

“There were just four things a woman could be (five at most): daughter, wife, mother, widow, and slut. That was it. There were no other roles for them—no free and independent women, no feminism, no selfsufficiency. If you didn’t like it, you could be branded a witch and executed.”

“As the days wore on, there was less and less of Aliya left in her. She couldn’t remember what Alex’s eyes had looked like, or how her father laughed at off-color jokes, or what the head of surgery said to her the first time she walked into the operating room. It was all gone. Her new reality was the castle, Earton, and these strange people that she had to build a life with.”

“Her new world had no telephones, internet or indoor plumbing. The customs were bloody and the laws were harsh. A man who tried to hurt a child faced a horrifying death. Women were not allowed to fight, because it wasn’t women’s work. Men were supposed to kill and die. That was what they knew. In the world she had come from, everything was convenient, people felt safe most of the time, and if anyone died protecting a child it was likely to be a woman. Which world is more honest?”

“The protagonist of Grey Eminence was Amália, the world's first climate change artist* and the first person to exceed a billion followers on Instagram, making her a sort of global empress, unprecedented in the history of Earth. She was also Portugal's foremost performer of fado, a gold medalist in rhythmic gymnastics, excellent at baking, and capable of taming the aurochs she summoned back from extinction to revivify Lascaux. *What the author means here is that Amália was the first to view climate change itself as an art. Her oeuvre was above all a radical reinterpretation of the still life. She practiced extinction as well as large-scale action sculptures that undid or outmaneuvered natural processes such as decomposition and promoted catastrophes when opportunities--- weather-related or other--- arose.”