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Fiction Quotes

“Until recently we’ve only been able to speculate about story's persuasive effects. But over the last several decades psychology has begun a serious study of how story affects the human mind. Results repeatedly show that our attitudes, fears, hopes, and values are strongly influenced by story. In fact, fiction seems to be more effective at changing beliefs than writing that is specifically designed to persuade through argument and evidence.”

“Science fiction is the branch of literature that deals with the effects of change on people in the real world as it can be projected into the past, the future, or to distant places. It often concerns itself with scientific or technological change, and it usually involves matters whose importance is greater than the individual or the community; often civilization or the race itself is in danger.”

“The purpose of a work of fiction is to appeal to the lingering after-effects in the reader's mind as differing from, say, the purpose of oratory or philosophy which respectively leave people in a fighting or thoughtful mood.”

“I would love to see what's going to happen with science fiction with peoples' heads, because we still have people running around in the year 2050 or 2100 or 2200 and they have incredible technology and you see the effects: laser beams and rays and beaming down and beaming up. Incredible technical things happening, but everybody is still running around jealous, fighting, whacking, cheating. There's got to be something going on! Some kind of change. I'd like to see something starting to happen in that area, with the psychology of the human being and how that changed.”

“One should not wrongly reify 'cause' and 'effect,' as the natural scientists do (and whoever, like them, now 'naturalizes' in his thinking), according to the prevailing mechanical doltishness which makes the cause press and push until it 'effects' its end; one should use 'cause' and 'effect' only as pure concepts, that is to say, as conventional fictions for the purpose of designation and communication-not for explanation.”

“Journalism only tells us what men are doing; it is fiction that tells us what they are thinking, and still more what they are feeling. If a new scientific theory finds the soul of a man in his dreams, at least it ought not to leave out his day-dreams. And all fiction is only a diary of day-dreams instead of days. And this profound preoccupation of men's minds with certain things always eventually has an effect even on the external expression of the age.”

“I hate to see great works of literature ghettoized, whereas others that conform to the rules, conventions, and procedures of the genre we call literary fiction get accorded greater esteem and privilege. I also have a problem with how books are marketed, with certain cover designs and typefaces. They're often stamped with an identity that has nothing to do with their effect on the reader.”

“My biggest difference with our film and those kinds of science fiction films is that they are going from one special effect set piece to the next, what we were doing was more of a character study. And I think that is the freedom that you get by doing an Indie film. You can only really do that with a lower budget. So I understand where the conflict is between those two priorities.”

“Autobiographical writings, essays, interviews, various other things... All the non-fiction prose I wanted to keep, that was the idea behind this collected volume, which came out about few years ago. I didn't think of Winter Journal, for example, as an autobiography, or a memoir. What it is is a literary work, composed of autobiographical fragments, but trying to attain, I hope, the effect of music.”

“The idea of the writer who writes nineteen novels, with various ups and downs and levels of experimentation, isn't around so much now. There's a focus, I think, on fewer books, with more pressure on each book to succeed. With that there comes, I think, a certain pressure towards shapeliness in fiction. Towards neatness. And I think writers feel that, and it can effect how they write.”

“I'll never forget reading Chekhov's "A Doctor's Visit" on a train to Hawthorne, New York, and I got to the end - the scene where the patient says goodbye to the doctor and she puts a flower in her hair as a kind of thank you to him - and I felt like a cowboy shot from a canyon's top. This is a different experience from reading a novel, I think. The emotional effect is cumulative. Let's just hope market forces don't send short fiction the way of the dinosaur, because their sales are paltry compared to the novel and this is truly unfortunate.”