“To newspapers and publishing houses I urge the use of fact over fiction, freedom of the press, and responsibility at all times.” FactsUseHouseFictionResponsibilityPressesNewspapersAll TimeUrgesPublishingFreedom Of The PressPublishing House Author:Joely Richardson
“Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible; Shakespeare's plays, for instance, seem to hang there complete by themselves. But when the web is pulled askew, hooked up at the edge, torn in the middle, one remembers that these webs are not spun in midair by incorporeal creatures, but are the work of suffering human beings, and are attached to the grossly material things, like health and money and the houses we live in.” WritingHumansStillsPlaySeemsRememberSufferingHouseHuman BeingsFictionFourMiddleMaterialsCreaturesEdgesCornersInstanceAttachmentTornSpidersHookedMaterial ThingsSpunShakespeare's Plays Author:Virginia Woolf
“I was obsessed with movies when I was younger. During the summer, I would go by myself to a theater down the street from my house. I saw every comedy or science fiction movie that came out. My kids love going to the movies, but 3D scares them.” KidsHouseFictionSawsComedyStreetsSummerTheaterScience FictionObsessedScareKids LoveScience Fiction Movie Author:Allen Covert
“To value the tradition of, and the discipline required for, the craft of fiction seems today pointless. The real Arcadia is a lonely, mountainous plateau, overbouldered and strewn with the skulls of sheep slain for vellum and old bitten pinions that tried to be quills. It's forty rough miles by mule from Athens, a city where there's a fair, a movie house, cotton candy.” RealSeemsTodayValuesLiteratureHouseCitiesFictionDisciplineFairsTraditionLonelyMilesCraftsFortyRoughSheepCandyPointlessSkullsCottonAthensMulesArcadiaQuillsCotton Candy Author:Alexander Theroux
“In a New York Post interview, Judy Blume, author of young-adult fiction, gave this advice on getting your kids to read: "Moms come up to me at book signings and describe how they're telling their daughters, 'These were my favorite books,'?" she says. "I say, 'Quit it! That's the biggest turnoff!'"You want to get them to read them, leave them around the house and every so often, say, 'You're not ready to read this yet.'” WantBookKidsYoungHouseFictionAdviceNew YorkReadyMomDaughterAdultsMy FavoriteYoung AdultCome UpQuittingPostsInterviewsNot ReadySigningFavorite Book Author:Judy Blume
“I've always found that when you're trying to create illusions with sound, especially in a science fiction or fantasy movie, that pulling sounds from the world around us is a great way to cement that illusion because you can go out and record an elevator in George Lucas's house or something, and it will have that motor sound.” WorldWayTryingFoundHouseSoundFictionFantasyRecordsCreatingIllusionScience FictionMovieFilmmakingPullingMotorElevatorsCement Author:Ben Burtt
“Being a fan of science fiction, I collect a lot of science fiction art work and so if you go to my house there's like a library and you just geek out on science fiction material. A lot of the colony worlds specifically are built as a melting pot of different societies, because the world is at a point where there are only two zones that are left inhabitable.” IfsWorldArtTwoDifferentHouseLeftFictionFansMaterialsBuiltScience FictionLibraryZonePotGeekMeltingColonyMelting Pot Author:Len Wiseman
“I was on a panel with light skinned Blacks and a famous gay science fiction writer, who were complaining about how Blacks are against gays and light skinned Blacks and how intolerant Blacks are of different groups. My position was that Blacks were among the most humanistic, tolerant groups in the country and that across the street from my house in Oakland was one inhabited by White gays.” DifferentCountryLightHouseWhiteFictionGroupsStreetsPositionGayScience FictionComplainingFiction WritersHumanisticOakland Author:Ishmael Reed
“When you're not doing fiction, there's a limit to how much illustrating you can do with your work. I mean, you can do fine. There are great non-fiction writers, but people aren't necessarily going to say anything that reveals them as much as a picture might. Even their surroundings, in lot of cases, the things that meant the most to me were the things I noticed in their houses. I was always looking, as much as I was listening to them. I was looking around for clues as to why I was there.” PeopleMeanMightHouseCan DoFictionCasesListeningFineLimitsSay AnythingClueSurroundingsNon FictionFiction WritersIllustrating Author:Miranda July
“For example, when I was writing Leviathan, which was written both in New York and in Vermont - I think there were two summers in Vermont, in that house I wrote about in Winter Journal, that broken-down house... I was working in an out-building, a kind of shack, a tumble-down, broken-down mess of a place, and I had a green table. I just thought, "Well, is there a way to bring my life into the fiction I'm writing, will it make a difference?" And the fact is, it doesn't make any difference. It was a kind of experiment which couldn't fail.” ThinkingWayWritingWellsKindTwoFactsHouseDifferencesFictionFailingWrittenNew YorkExampleBuildingBrokenSummerTablesGreenWinterExperimentsMessMaking A DifferenceJournalBroken DownVermontShackLeviathan Author:Paul Auster
“Actually, I'm frequently described as the UK's only translator of Korean literature, but even that isn't accurate - Agnita Tennant is UK-based, Janet Poole is British though lives in Toronto, Brother Anthony was born here though is now a naturalised Korean citizen. There's also Chi-young Kim and Sora Kim-Russell, who are younger and do fiction for commercial houses.” YoungLiteratureHouseBornFictionBrotherCitizensBritishAccurateKoreanTorontoKimTranslators Author:Deborah Smith