“In documentary films, you're a storyteller using found objects. You still have to have a story arc and all the elements that make a good story. It really helped me mature as a storyteller.” StillsStoriesFilmFoundObjectsElementsMatureStorytellerDocumentariesGood StoryArcsDocumentary FilmsFound Objects Author:Garth Stein
“I could start this review by stating that Dumb and Dumberer lives up to its name, or by calling it stupid, moronic, and idiotic, but I believe that approach is a trap, since a movie like this might relish being the object of such bland invectives. Instead, let me try a few that can't possibly be misconstrued as twisted praise: unfunny, boring, torturous, and unwatchable. ... [N]o movie could be more aptly compared to raw sewage than this film - Directed By Troy Miller.” TryingBelieveMightFilmNamesI BelieveStupidObjectsCallingApproachLet MePraiseBoringDumbReviewsTrapsTwistedRelishIdioticBlandSewageMisconstrued Author:James Berardinelli
“The motion picture is like journalism in that, more than any of the other arts, it confers celebrity. Not just on people - on acts, and objects, and places, and ways of life. The camera brings a kind of stardom to them all. I therefore doubt that film can ever argue effectively against its own material: that a genuine antiwar film, say, can be made on the basis of even the ugliest battle scenes ... No matter what filmmakers intend, film always argues yes.” PeopleWayKindArtMadeMatterFilmDoubtObjectsMaterialsSceneBattleBasesCamerasNo Matter WhatArguingGenuineJournalismFilmmakerMovieAntiwarMotion PicturesStardom Author:Renata Adler
“The very essence of truth is plainness and brightness; the darkness and crookedness is our own. The wisdom of God created understanding, fit and proportionable to truth, the object and end of it, as the eye to the thing visible. If our understanding have a film of ignorance over it, or be blear with gazing on other false glitterings, what is that to truth?” IfsEndsEyeTruthFilmUnderstandingDarknessObjectsIgnoranceFitTruth IsEssenceVisibleOver ItBrightnessGazingPlainness Book:The Prose Works of John Milton ...: With a Preface, Preliminary Remarks, and Notes Source: The Prose Works of John Milton ...: With a Preface, Preliminary Remarks, and Notes
“Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.” GivingMeanHas BeensMadeTodayAbleFilmEffortAttitudeComedyObjectsPaintingMassResponseCollectivesDisplayGallerySurrealismReceptionSimultaneousSalonsSlapstick Author:Walter Benjamin