“As a child, I saw this beautiful film, Dracula's Daughter, and it was with Gloria Holden and was a sequel to the original Dracula. It was all about this beautiful daughter of Dracula who was an artist in London, and she felt drinking blood was a curse. It had beautiful, sensitive scenes in it, and that film mesmerized me. It established to me what vampires werethese elegant, tragic, sensitive people. I was really just going with that feeling when writing Interview With the Vampire. I didn't do a lot of research.” PeopleWritingChildrenFeelingsBeautifulFilmArtistFeltSawsBloodSceneResearchDaughterOriginalsDrinkingLondonVampireCurseSensitiveInterviewsTragicElegantSequelsGloriaHoldenMesmerizedBeautiful Daughter Author:Anne Rice
“I don't trust a lot of popular films because they seem to indicate that people would like to be super-heroes or vampires, and that's the last thing I mean by the useful mirror of art.” PeopleMeanArtSeemsLastsFilmHeroMirrorsVampireDon't TrustSuper HeroPopular Film Author:William Monahan
“The zombie threat is made worse by the fact that their victims then turn into the creature that attacked them. This too is similar to other monsters (werewolves and vampires) and also similar to the sub-genre of infection/plague films. In the case of zombies, however, this may carry a greater sense of dread and revulsion: vampires and werewolves can be seen as desirable, potent, intelligent, virile creatures whom one might like -- in some way at least -- to become; a mindless ghoul condemned to wander aimlessly across an empty, ruined earth seems much less attractive.” WayMayMadeFactsSeemsMightEarthFilmTurnsCasesGreaterCreaturesEmptyIntelligentVictimThreatMonstersWanderVampireGenreAttractiveDreadRuinedDesirableZombiePlagueWerewolfInfectionMindlessGhoulsRevulsion Author:Kim Paffenroth