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“One day he [Wagner] was batting against a young pitcher who had just come into the league. The catcher was a kid, too . The pitcher threw Honus a curve ball, and he swung at it and missed and fell down. Looked helpless as a robin. I was kind of surprised, but the guy sitting next to me poked me in the ribs and said, 'Watch this next one.' Those kids figured they had the old man's weakness, you see, and served him up the same dish - as he knew they would. Well, Honus hit a line drive so hard the fence in left field went back and forth for five minutes.”

“Sitting for a picture is morbid business. A portrait doesn't begin to mean anything until the subject is dead. This is the whole point. We're doing this to create a kind of sentimental past for people in decades to come. It's their past, their history we're inventing here. And it's not how I look now that matters. It's how I'll look in twenty-five years as clothing and faces change, as photographs change. The deeper I pass into death, the more powerful my picture becomes. Isn't this why picture-taking is so ceremonial? It's like a wake. And I'm the actor made up for the laying-out.”

“Ibsen is like this room where we are sitting, with all the tables and chairs. Do I care whether you have twenty or twenty-five links on your chain? Hedda Gabler, Nora and the rest: it is not that I want! I want Rome and the Coliseum, the Acropolis, Athens; I want beauty, and the flame of life.”

“When you first start out don't set yourself a lofty goal of sitting down to meditate for twenty minutes. Aim instead for ten minutes or even five minutes - utilizing those few moments when you find yourself willing or even desiring just to take a break from the daily grind to observe your mind rather than drifting off into daydreams.”

“On a certain scale, it does look like I do a lot. But that’s my day, all day long, sitting there wondering when I’m going to be able to get started. And the routine of doing this six days a week puts a little drop in a bucket each day, and that’s the key. Because if you put a drop in a bucket every day, after three hundred and sixty-five days, the bucket’s going to have some water in it.”

“It was fantastic to be able to have my kids on set. Dash, my eldest son, who’s not quite five, was into knights and his godmother had given him a plastic Marks & Spencer knights’ outfit and [first assistant director] Tommy Gormley said that he could stand to protect me during the scene where Clive [Owen] is talking about the immensity of sitting on the throne. I’m actually looking through an archway at my son standing in his knights’ costume protecting me!”

“I was sitting here without a shirt on, absentmindedly scratching my back with a pen for about five minutes and I just looked in the mirror and saw that I had drawn a nice mural on my back. It looks kind of like a map of Wyoming, with all the rivers and mountain ranges, or maybe a portrait of Bob Marley. Yes. Tablature”