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Five Quotes

“If you put these five things together - you can't use money to attract talent, you can't advertise, you can't take risks, you can't invest in long-term results, and you don't have a stock market - then we have just put the humanitarian sector at the most extreme disadvantage to the for-profit sector on every level, and then we call the whole system charity, as if there is something incredibly sweet about it.”

“As for the square at Meknes, where I used to go every day, it's even simpler: I do not see it at all anymore. All that remains is the vague feeling that it was charming, and these five words that are indivisibly bound together: a charming square at Meknes. ... I don't see anything any more: I can search the past in vain, I can only find these scraps of images and I am not sure what they represent, whether they are memories or just fiction.”

“Doing nothing about climate change is still a fairly common affliction, even in this day and age. What to do with those people, who are together threatening everybody's existence on this planet? Clearly we don't really think they should be blown up, that's just a joke for the mini-movie, but maybe a little amputating would be a good place to start?”

“[On the Internet and activism:] The danger of the Internet is cocooning with the like-minded online - of sending an email or twitter and confusing that with action - while the real corporate and military and government centers of power go right on. In a way, the highest purpose of the Internet is to bring us together for empathy and action. After all, the reflector cells and empathy-producing chemicals in our brains only work when we're physically together with all five senses. You can't raise a baby online.”

“Five golden years, Heart of Mine, have we walked the way of life together, and there is not an hour I would have changed; there is no moment when I would have you other than you have been. It is the fashion these days, I know, to say that love ends at the altar, but it is not so. You and I have found the old dream of the world divinely true. It is neither a poet's fancy nor a trick of the imagination, but a thing of fadeless and unending beauty.”

“Separate from the other unnamed billions who walk the earth, each of these little groups of three or five or twelve, brought together by the shuffle of chance, then welded by blood, sees in itself the whole of earth, or all that matters of it. What happens to one of the three or five or twelve will happen to them all. Whatever grief or triumph may touch any one will touch every one, as they are carried forward into the unknowable under the brilliant, terrifying sun which nourishes all.”

“I think the big thing for Simple Plan is that we were able to keep the band members, the same five guys, the same lineup from the start. That's not easy. We grew up together. We're friends. We come from the same world. We've always had the same dreams and goals. I think we realized, as the years go by, how precious it is to have that, to build that, to see so many bands break up... it makes us realize how different we are to all that. We're really proud of that.”

“Upon looking back from the end of the last chapter and surveying the texture of what has been wrote, it is necessary, that upon this page and the five following, a good quantity of heterogeneous matter be inserted, to keep up that just balance betwixt wisdom and folly, without which a book would not hold together a single year.”

“Every singer has three or four or five techniques, and you can force them together in different combinations. Some of the techniques you discard along the way, and pick up others. But you do need them. It's just like anything. You have to know certain things about what you're doing that other people don't know. Singing has to do with techniques and how many you use at the same time. One alone doesn't work. There's no point to going over three. But you might interchange them whenever you feel like it. It's a bit like alchemy.”

“Does anyone pray before they cut a tree? I haven't seen anyone do that yet in the timber industry. But my vision is that that day is coming. I have a vision of a world in which we relate to each other as souls - not as personalities - not as bodies and minds and capabilities to accomplish things in this domain of the five sense, but as immortal spirits learning together how to co-create this world.”

“When you take a picture you haven't a clue that it is going to be what it is. Maybe you have a clue but you don't really know. There are too many possibilities. Part of the game is how many balls you can juggle. It is to me. When you are 12 you can juggle two. Maybe when you are 50 you can juggle five. That is an interesting concept to me: how much I can put in and still make it pull together?”

“I'd always enjoyed the comics more, and felt that as long as I was unemployed it would be a good chance to pursue that and see what response I could get from asyndicate, as I didn't have anything to lose at that point. So I drew up a comic strip - this was in 1980 - and sent it off and got rejected. I continued that for five years with different comic strip examples 'til finally Calvin and Hobbes came together. But it's been a long road.”

“And so getting to meet Aubrey Plaza and Mae Whitman and getting to know two awesome girls who are just kick-ass. It's been nice that way where we probably wouldn't have worked together on any other crazy project. And just like you know Chris Evans teaching us all the high-five because he's dealing with like non-jocks (laughter) and we're like yeah!”

“I left Stone Sour in '97 because, by that time, we'd been together for about five years and I was kind of getting to the point where I wanted to do something different. I loved the music that we did and I loved the guys that I was with, but I was 24 and just felt like I needed to go and try something different so I didn't get stuck where I was, you know, just doing the same thing. And, coincidentally, that's when Slipknot came and asked me to join. I'd never done anything like Slipknot up until then, so I was like, "Okay, we'll try this and we'll see what happens." And it worked out.”