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“The new culture war is about national identity rather than religion and 'transcendent authority.' It focuses on which groups the United States will formally admit to residence and citizenship. It asks the same question as the old culture war: 'Who are we?' But the earlier query was primarily about how we define ourselves morally. The new question is about how we define ourselves ethnically, racially and linguistically. It is, in truth, one of the oldest questions in our history, going back to our earliest immigration battles of the 1840s and 1850s.”

“During his fifteen years in Italy, Hannibal never had enough elephants to suit him. Most of the original group succumbed to the climate, and he was always begging Carthage for more, but the people at home were stingy. They would ask if he thought they were made of elephants and what had he done with the elephants they sent before.”

“Safety lies in catering to the in-group. We are not all brave. All I would ask of writers who find it hard to question the universal validity of their personal opinions and affiliations is that they consider this: Every group we belong to - by gender, sex, race, religion, age - is an in-group, surrounded by an immense out-group, living next door and all over the world, who will be alive as far into the future as humanity has a future. That out-group is called other people. It is for them that we write.”

“I don't know what acting is, but I enjoy it. I think we ask too many questions of ourselves. We make too much importance of stuff. But I do say to actors when I have taught in classes, or when I sometimes do a talk to a group. I'll say, “If I never acted again, the world wouldn't stop, nor would it stop if I didn't stop acting. That's how important it is. I know it [seems] important when you're young. But I say, “Lighten up. Don't take it all so seriously.” All the gurus and teachers will take your money and run.”

“You never want to be the worst bowler of the group-because then everyone treats you like you have cancer. "You can do it! We're praying for you." The advice starts. "Use a heavier ball." "Keep your arm straight." "You should get a vasectomy." If you're really bad at bowling like me, they'll ask if want the bumpers up. Not that bowling is that complex anyway. "You want the bumpers? We can get rid of the pins. Why don't you take this coloring book and sit in the corner?"”

“I'm not a real musician. If you give me a bass guitar and you ask me to improvise something, or even be with some musicians and follow them, I wouldn't be able to do it. And I want to change that. I want to be able to be in a group and take my guitar and play with them, without someone showing me, "Okay, you're going to do this and that," because music has always been a big part of my life.”

“We depend on manly characteristics to keep us safe. Every single one of the dead firemen heroes on 9/11 were men. This was one group where liberals didn't ask why there wasn't a more pleasing gender balance, because the Upper West Side is not fireproof. What happens in combat in some distant field is abstract to liberals, but they can understand the need to have strong, brave men in their fire department.”

“Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."”